Episode 226 - Gorn

[00:00:17] Hey everybody, it's another episode of Go Flix Yourself. My name is Ben Conowitz and with me as always is the invisible man to my Dracula, Bradford Oman.

[00:00:25] Hey that's me! You can't see me!

[00:00:28] And the creature from the Black Lagoon to my Dracula, Nate Lauchs.

[00:00:32] Hello.

[00:00:34] He doesn't really talk I don't think.

[00:00:37] I don't know.

[00:00:38] Yeah.

[00:00:40] Hello!

[00:00:42] Zoidberg?

[00:00:45] He died in a pool of his own urine and vomit.

[00:00:48] Ah, about to have your own pool!

[00:00:51] Favorite Zoidberg line of all time.

[00:00:53] The invisible man is better than Dracula so you failed this one.

[00:00:55] No he's not. Dracula's an all timer and you know that.

[00:00:57] Nosferatu? Compared to Chevy Chase? Get the fuck out of here.

[00:01:01] Dracula's not Nosferatu.

[00:01:03] Yeah, it's the same dude.

[00:01:04] It's not so much.

[00:01:06] The most famous Dracula of all time is Nosferatu.

[00:01:09] That's not... he doesn't know horror terms.

[00:01:11] Explain it then.

[00:01:12] Dracula is a vampire and so is Nosferatu.

[00:01:15] They're the same character.

[00:01:15] Dracula is not Nosferatu.

[00:01:17] Well, read a book because it is.

[00:01:20] This comes from a guy who does audiobooks.

[00:01:22] Of course, because I'm a smart person.

[00:01:24] And I multitask.

[00:01:25] No you don't.

[00:01:25] I watch TV while I'm listening to audiobook.

[00:01:28] Getting real smart at the same time.

[00:01:29] First of all, that's a horrible way to do any of that.

[00:01:32] I learn so much.

[00:01:34] No, you don't.

[00:01:34] That's why you don't learn anything actually.

[00:01:36] Yeah.

[00:01:38] We're having fun.

[00:01:40] So yeah, movie podcast.

[00:01:42] We talk about stuff.

[00:01:43] So...

[00:01:44] Wow, do you hear this?

[00:01:45] Brad, what is...

[00:01:45] If they don't know, they don't know.

[00:01:46] Okay?

[00:01:47] There's no new guests.

[00:01:48] I'm sorry.

[00:01:49] There's no new listeners.

[00:01:50] We've got the same listeners and I love them so much.

[00:01:52] Listeners, let me...

[00:01:53] Mitch, Mitch, you fucking genius.

[00:01:55] I fucking love you so much and you listen and you haven't stopped.

[00:01:59] But by now, Mitch, comment.

[00:02:00] Do you think that there are new listeners?

[00:02:02] I don't think there are.

[00:02:03] Charlie listens, I think.

[00:02:04] Hi, Charlie.

[00:02:05] Don't Charlie listens?

[00:02:05] Luke listens?

[00:02:06] Yeah.

[00:02:07] You know, Alex listens?

[00:02:08] Let's tell our listeners.

[00:02:10] Ben and Susan listen?

[00:02:11] Let's share a story with our listeners.

[00:02:12] The last time we recorded the podcast, we were up pretty late because we had some talks

[00:02:19] between friends beforehand and we didn't get done recording until 1130.

[00:02:22] And that was too late for Ben's new family because they need to sleep because they're

[00:02:28] children.

[00:02:28] We were so fucking loud.

[00:02:30] Now, why were we loud, Ben?

[00:02:31] We were having a good time.

[00:02:32] No, but what was the real reason that you were particularly loud on that evening that

[00:02:36] we recorded?

[00:02:37] I think our listeners know there's two of the three of us that are very loud.

[00:02:40] Yeah, I'm one of them.

[00:02:42] But who do you think was the loudest last weekend and why do you think it was?

[00:02:46] I think it was Brad because you were mad.

[00:02:47] That's interesting.

[00:02:48] I think it was Ben because he was drunk.

[00:02:51] I was tipsy.

[00:02:52] Mmm.

[00:02:53] Well, tipsy Ben was very loud and he was shouting a lot.

[00:02:56] And I think that everyone who listened to the last episode knows that.

[00:03:00] So now we have to be done recording at a certain time.

[00:03:03] Yeah, of course it was noticeable.

[00:03:04] No, no, the volume part.

[00:03:05] No, Ben.

[00:03:06] No one can hear your big booming voice.

[00:03:08] But more than normal.

[00:03:09] Like I normally am an asshole and I'm like, brr, brr, brr, brr.

[00:03:11] Was it literally worse than normal?

[00:03:14] Well, let the listeners decide, I guess.

[00:03:15] Mitch.

[00:03:17] Was it worse than normal?

[00:03:18] Anyway, so that's why Ben's like, oh, it's a movie podcast and we gotta get to it.

[00:03:21] You know what?

[00:03:22] I gotta go upstairs and I gotta sing the lullabies and I gotta read the bedtime stories and I

[00:03:26] gotta change the pens.

[00:03:27] I trust Cam.

[00:03:29] If Cam tells me that I was louder than I was, I will trust him.

[00:03:32] Cam doesn't like you.

[00:03:34] He said that?

[00:03:35] No.

[00:03:35] You can just tell on his face.

[00:03:36] Oh, God.

[00:03:38] I just had a little panic attack.

[00:03:39] Don't do that.

[00:03:40] Ben, let me ask you something.

[00:03:41] I mean, is it about my panic attack?

[00:03:43] Let me ask you something.

[00:03:44] Okay.

[00:03:45] When you order yourself-

[00:03:46] Is it about Cam?

[00:03:47] And I know you love doing this.

[00:03:48] Okay.

[00:03:49] When you order yourself a nice pizza-

[00:03:51] Go on.

[00:03:52] What do you like to get with it?

[00:03:54] Like as a side?

[00:03:56] Sure.

[00:03:56] Or like on it.

[00:03:57] What kind of pizza?

[00:03:57] Yeah, as a side.

[00:03:58] What do you like to get with the pizza and not topping it?

[00:04:00] With chicken wings.

[00:04:01] What else?

[00:04:03] I mean, if I'm getting pizza from, let's say, Domino's, I will get wings or I will get

[00:04:12] some cheesy bread.

[00:04:13] Yeah.

[00:04:14] Okay.

[00:04:14] What about you, Nate?

[00:04:15] Yeah.

[00:04:16] I'm always, especially if I go to the Papa John's, I'm going to get their cheesy bread

[00:04:20] that they have there.

[00:04:21] Isn't it funny that like, even though the pizza itself already is the cheesy bread-

[00:04:25] But we all know it's a different version.

[00:04:27] No, no.

[00:04:27] Of course.

[00:04:27] It's a different flavor profile.

[00:04:28] Don't ask the question you already know the fucking answer to.

[00:04:30] No, no.

[00:04:31] I know.

[00:04:31] But it's always been funny to me that like, we get pizza that is cheesy bread pizza

[00:04:34] with sauce and meat on it or whatever, whatever you want your pizza.

[00:04:37] But you know what else I like with this?

[00:04:39] I'd like some more cheesy bread.

[00:04:41] I'd like the same thing.

[00:04:41] I'd like some more cheesy bread.

[00:04:42] It reminds me of the very great Norm MacDonald bit where he talks about going to a restaurant

[00:04:48] and he's, you know, you go to a restaurant, right?

[00:04:51] And they give you bread first.

[00:04:54] And I've never been home, you know, way over there, lasagna.

[00:04:57] And you know what I have first?

[00:04:59] A whole loaf of bread.

[00:05:01] And I've never thought about that.

[00:05:03] Yeah.

[00:05:03] And it's brilliant.

[00:05:04] That's how they get you.

[00:05:04] Exactly the same way because I'm not joking.

[00:05:07] They have pepperoni stuffed cheesy bread.

[00:05:11] Oh, yeah.

[00:05:11] It's basically a pizza.

[00:05:13] It's just a pizza.

[00:05:13] Without the sauce.

[00:05:15] That's probably for the people who get a salad.

[00:05:17] It's one of those things where you just, you have the same exact ingredients and, but it's

[00:05:23] a little different.

[00:05:23] It's a little different.

[00:05:24] A little bit.

[00:05:25] It really is for people, like a responsible order of pizza is like, hey, there's three

[00:05:31] of us.

[00:05:31] Let's get one large pizza and one cheesy bread and we'll all share it.

[00:05:35] Yeah.

[00:05:36] That's what you get by yourself.

[00:05:36] I get it by myself with wings.

[00:05:38] Yep.

[00:05:38] Or I used to.

[00:05:39] I'm on the weight loss channels again.

[00:05:40] For now.

[00:05:41] For now.

[00:05:43] Against my good friend Nate Lauchs.

[00:05:45] You back in it?

[00:05:46] Mm-hmm.

[00:05:46] You losing weight?

[00:05:47] Trying to.

[00:05:47] But you look great.

[00:05:48] Thank you.

[00:05:50] Hi, Ben.

[00:05:51] I don't know.

[00:05:52] Listen, that's why I'm in the weight loss channel.

[00:05:54] I look like shit.

[00:05:55] Guys, got a treat for you.

[00:05:57] Here's why I'm in the weight loss channel, Brad.

[00:05:59] Is it because of the sponsors?

[00:06:00] It doesn't help.

[00:06:02] It's basically because the number of people in the last three months that see me and they're

[00:06:08] like, ugh, you okay?

[00:06:10] And it's, they're being considerate.

[00:06:13] They're asking, are you okay?

[00:06:14] I don't like the tone.

[00:06:16] What?

[00:06:17] Of a lot of it.

[00:06:18] And these are people.

[00:06:19] It's concern.

[00:06:20] Yeah.

[00:06:20] I don't love that about myself.

[00:06:22] Maybe you haven't talked to them so you know it's something about your appearance.

[00:06:24] Oh, it's absolutely my appearance.

[00:06:26] It might just be your face though because you kind of have a resting grump face.

[00:06:29] Yeah, it's because the fat.

[00:06:30] It's like pushing my eyes up where I'm like, I look like I'm just questioning everything,

[00:06:34] but it's just my fat has gotten so bad it's closing my eyes.

[00:06:36] You gotta be careful though at our age though when you get skinny, have you seen any of those

[00:06:40] people that get really skinny after being chubby?

[00:06:42] No, if I take this seriously, let's say that I lose, and I'm not joking here, it's like

[00:06:47] I've got like 90 days.

[00:06:48] Let's say for some reason I go crazy like Penn Jillette and I lose 90 pounds.

[00:06:52] Everybody's gonna be like, we need to do a GoFundMe.

[00:06:54] He's dying.

[00:06:55] Mm-hmm.

[00:06:55] Because I will not look good.

[00:06:57] No.

[00:06:57] The skin will start hanging on them.

[00:06:58] Yeah, exactly.

[00:06:59] Oh, Zempic face.

[00:07:01] Okay, so let's get yourself some a little...

[00:07:04] Speaking of weight loss, let's go ahead and dig into this sponsor.

[00:07:07] Yeah, just grab some out of there.

[00:07:10] Make sure you give some to Nate.

[00:07:13] Yeah, you gotta give him some...

[00:07:14] I'll take one chip.

[00:07:16] I'm gonna get in the bag, I'm not gonna.

[00:07:17] You don't want to finger his chips?

[00:07:18] No.

[00:07:18] Oh.

[00:07:20] Don't look at the front.

[00:07:21] Don't look at the front.

[00:07:22] Look at my eyes.

[00:07:23] Look at his eyes.

[00:07:24] Don't look.

[00:07:24] Hey, Ben, you don't look.

[00:07:26] I'm walking.

[00:07:26] Everyone just look at the eyes like as if it was sex.

[00:07:30] Don't look.

[00:07:31] Don't look.

[00:07:32] Don't look.

[00:07:33] Don't look.

[00:07:33] Don't look.

[00:07:36] You guys did it.

[00:07:37] That's cheese garlic bread all day long.

[00:07:38] That's all that is.

[00:07:39] Cheese garlic bread.

[00:07:40] It's very garlicky.

[00:07:42] Is that what you think it is?

[00:07:43] Yeah, absolutely.

[00:07:43] You sure?

[00:07:44] 100%.

[00:07:46] Is that Bright 6?

[00:07:48] You messed your ass, it's cheesy garlic bread, baby.

[00:07:51] Yep.

[00:07:51] Oh my God.

[00:07:52] It's the thing that's tasted the most like the thing that we've ever had probably.

[00:07:55] Absolutely.

[00:07:55] The flavor for these chips is perfect.

[00:07:57] It's exactly cheesy.

[00:07:58] It's a little bit buttery, it's a little bit garlicky, it's a little bit cheesy.

[00:08:01] Crispy chips, I love these things.

[00:08:03] Yeah.

[00:08:04] You know, I know you love them.

[00:08:05] You opened the bag before you got here and started eating.

[00:08:07] Oh yeah.

[00:08:09] Oh yeah.

[00:08:09] There was no opening of a bag here.

[00:08:11] No, no.

[00:08:11] These were open and this is a big bag from Sam's Club too.

[00:08:15] Yeah, and so Nate and I got about the last three or four chips in the bag.

[00:08:18] Oh no, there's definitely plenty of chips in there.

[00:08:20] I'm going to be munching on these later tonight.

[00:08:21] Easy.

[00:08:22] But no, these were-

[00:08:24] Brad, are you hard right now?

[00:08:25] These have been out before, but they just now came back seemingly only at Sam's Club.

[00:08:29] I don't think they've popped up at other stores yet.

[00:08:31] They might come out with the more regular bags at Walmart and stuff, but I was so glad

[00:08:35] these came back because these are delicious.

[00:08:37] Was that louder really last time?

[00:08:39] He doesn't get it.

[00:08:40] He doesn't hear himself.

[00:08:41] No, I really don't.

[00:08:43] Nate, was I?

[00:08:44] I think you were fine.

[00:08:45] Thanks buddy.

[00:08:45] I edited the podcast and I heard how loud you were.

[00:08:47] All right, well I'll be quiet this time.

[00:08:48] You don't have to be quiet.

[00:08:49] You just have to be sober.

[00:08:49] Nope, nope, nope.

[00:08:50] I'll be sober.

[00:08:50] Let's do an NBR podcast please.

[00:08:52] Yeah, so what's the last movie you saw buddy?

[00:08:55] The last movie I saw?

[00:08:57] Why are you being so loud?

[00:08:58] Why are you being so loud?

[00:08:59] Ugh!

[00:09:00] Why, I mean-

[00:09:02] The last movie that I saw was the movie that I was assigned, so I'll hold off on that

[00:09:08] one.

[00:09:08] Cool.

[00:09:09] Because I was assigned it.

[00:09:13] Did you watch anything else or-

[00:09:14] No.

[00:09:15] Nate, what about you buddy?

[00:09:17] I don't know, don't switch this up.

[00:09:19] You just went silent for like three seconds for no reason.

[00:09:22] It's so weird.

[00:09:22] Bad podcast.

[00:09:23] I'm trying to build anticipation.

[00:09:24] Well it didn't work.

[00:09:25] We have an audience here.

[00:09:26] God damn.

[00:09:26] No, not anymore.

[00:09:28] Have you guys seen Changing Lanes?

[00:09:29] Yeah, with Ben Affleck and Samuel L. Jackson?

[00:09:33] Yeah.

[00:09:34] I had never seen it before.

[00:09:36] How was it?

[00:09:36] It was really good.

[00:09:37] It's pretty good, yeah.

[00:09:38] It's really good.

[00:09:38] It's a taut thriller.

[00:09:40] It is a taut thriller.

[00:09:41] It has a little bit of-

[00:09:42] That came out back in the day when you were going to the theater all the time.

[00:09:44] Oh yeah, I saw this in the theater for sure.

[00:09:46] What, 1999?

[00:09:47] 2001?

[00:09:48] Yeah.

[00:09:50] Interestingly enough, there was a shot of the Twin Towers in this movie that was removed

[00:09:55] when the movie was put in theaters, but it was added back in afterwards because the

[00:09:59] director was like, I don't know, we don't need to do that.

[00:10:01] Like, we should be in there.

[00:10:02] Like, we don't want to, you know, just remove it like it was never there.

[00:10:06] That is a weird-

[00:10:07] Studios were doing weird shit back then though.

[00:10:09] They were.

[00:10:10] I get why they did it with Spider-Man.

[00:10:12] Because it was on the cover?

[00:10:13] It was the poster and it was-

[00:10:15] There was a whole teaser trailer that they shot where Spider-Man webbed a helicopter in

[00:10:21] between the two towers.

[00:10:23] And they were like, no, we gotta get rid of that!

[00:10:25] And everybody's like, why?

[00:10:26] Yeah, and they changed-

[00:10:27] What happened?

[00:10:27] They also changed the ending of Men in Black 2 that was originally supposed to take place

[00:10:31] at the Twin Towers.

[00:10:32] And they also changed Lilo and Stitch.

[00:10:34] That's true.

[00:10:34] Yeah, they did change that as well.

[00:10:36] Yep.

[00:10:37] These are all fun 9-11 ones.

[00:10:38] It went from an airliner into like an alien spaceship because it would be weird that an airliner

[00:10:43] was crashing.

[00:10:44] Yeah, that's true.

[00:10:45] So, Changing Lanes was fantastic.

[00:10:48] It's a great-

[00:10:49] There's a great back and forth between-

[00:10:50] Samuel L. Jackson's wonderful in this film.

[00:10:52] Ben Affleck is too, honestly.

[00:10:53] Yeah, he's really good.

[00:10:54] Didn't realize Toni Collette was in this movie.

[00:10:56] That was a nice little surprise.

[00:10:58] And Sidney Pollack, always fun to see him in a movie as well.

[00:11:01] But yeah, this was just a real solid thriller.

[00:11:05] This is the kind of movie that has unfortunately been lost in like the mid-budget, you know,

[00:11:10] disappearance.

[00:11:11] Yeah, I would say that in 2002, this was probably like what, a $20-30 million budget?

[00:11:16] 45.

[00:11:17] 45 million.

[00:11:18] And this was a normal movie you'd see playing in theaters at any given time.

[00:11:21] And you just don't really get these kind of movies at all.

[00:11:22] So, a perfect like 90-some minute movie, right?

[00:11:25] Yeah, it was-

[00:11:25] Yeah, that's the other thing that was great about it is it's a breezy, yeah, an hour and

[00:11:28] a half thing where you get in and out.

[00:11:30] Yeah, more in and out.

[00:11:30] Like cellular.

[00:11:33] What?

[00:11:34] Like phone booth.

[00:11:35] Phone booth is great.

[00:11:36] I love phone booth.

[00:11:37] That's another-

[00:11:37] That's a fast one.

[00:11:38] I'm just naming good movies.

[00:11:39] I don't know what you're doing.

[00:11:40] Cellular wasn't one of those that you did, but you know.

[00:11:43] I also watched Casa Bonita, Mi Amor.

[00:11:48] Did you see this?

[00:11:49] Does it-

[00:11:50] No, Jay.

[00:11:52] Did you see this?

[00:11:53] Yes, yes, yes.

[00:11:54] This is a new documentary on Paramount Plus, and you guys- this just shows that you guys

[00:11:58] don't pay attention to my texts or you don't care.

[00:12:01] I saw your texts-

[00:12:02] And you didn't care about it.

[00:12:03] And I specifically said out loud, God, I just don't care.

[00:12:07] Why though?

[00:12:08] Because it's-

[00:12:09] Oh, it came from you.

[00:12:10] Wow.

[00:12:10] Sorry.

[00:12:11] Okay.

[00:12:11] The content's great.

[00:12:12] If Nate would have sent it, I would have watched it.

[00:12:14] No, you wouldn't have.

[00:12:15] You'd barely watch the things that we want you to watch.

[00:12:17] Okay.

[00:12:18] So this is a documentary on Paramount Plus about Trey Parker and Matt Stone, the

[00:12:23] creators of South Park, who went ahead and bought Casa Bonita, which is a real Mexican

[00:12:30] restaurant in Denver that's been around since the 1970s.

[00:12:34] And it's become a big tourist attraction because it's basically like the Disneyland

[00:12:37] of restaurants.

[00:12:39] It has all these crazy little attractions in it, like mechanical characters and an arcade

[00:12:46] and divers in a pool and stuff like that.

[00:12:49] And it went under after the pandemic-

[00:12:51] Not just divers, cliff divers.

[00:12:53] Yes, cliff divers.

[00:12:54] It went under after the pandemic.

[00:12:55] It didn't seem like it was going to come back.

[00:12:57] But Trey Parker and Matt Stone, more so Trey.

[00:13:01] Trey's the one who has a lot of nostalgia for this restaurant.

[00:13:03] He wanted to buy it and renovate it and bring it back, but preserve what was great about

[00:13:09] the original Casa Bonita.

[00:13:10] And if you know nothing about either two of these things, right?

[00:13:14] Mm-hmm.

[00:13:14] You've never seen an episode of South Park.

[00:13:17] You've never seen Casa Bonita.

[00:13:18] You're talking about Trey Parker and Matt Stone, who have a combined net worth of like

[00:13:22] a billion dollars.

[00:13:23] They're very, very rich, right?

[00:13:24] And then you would think, oh, Casa Bonita, it's a Mexican restaurant.

[00:13:27] It would be nothing for these guys to buy this.

[00:13:29] But no, Casa Bonita is a warehouse.

[00:13:32] It is an enormous spread.

[00:13:34] Massive.

[00:13:34] It's basically the size of an entire shopping center.

[00:13:38] Yeah.

[00:13:38] It's like 100,000 square feet.

[00:13:40] Yeah.

[00:13:40] And there's these real pools.

[00:13:42] Mm-hmm.

[00:13:42] So the-

[00:13:43] It's not a restaurant.

[00:13:44] It is an entertainment center.

[00:13:45] Yeah.

[00:13:45] It's a full family entertainment center for sure.

[00:13:47] And so to do that, it's millions of dollars of rehab.

[00:13:50] Well, here's the thing.

[00:13:50] 40 million.

[00:13:51] They were anticipating spending-

[00:13:54] Five to 10, right?

[00:13:55] Six million.

[00:13:56] Yeah.

[00:13:56] Then they get in there.

[00:13:58] And the condition of this place is fucking wild.

[00:14:03] It's like a wild west Mexican restaurant.

[00:14:06] So let's go back to the documentary.

[00:14:08] Yeah.

[00:14:08] Does it start with basically, I would assume, everybody sitting down and they get the talking

[00:14:13] heads going and they're asking questions about like, when did you first learn about Casa

[00:14:17] Bonita?

[00:14:17] Is it that kind of thing or did they jump right into like the fix of it?

[00:14:20] No, no.

[00:14:21] It sets that up of like-

[00:14:22] Sure.

[00:14:22] You know, why Casa Bonita was a big thing.

[00:14:25] Trey Parker and Matt Stone, like, you know, why they like it.

[00:14:28] The South Park episode, all that stuff.

[00:14:30] And like them wanting to save it, you know?

[00:14:34] Because this started happening, like, for whatever reason, they were recording stuff.

[00:14:39] I think it was probably because it was just around the time they were doing things that

[00:14:43] they recorded just for the sake of-

[00:14:45] Posterity.

[00:14:46] Yeah.

[00:14:46] Because there's footage of them going to Casa Bonita with some of the people who worked

[00:14:51] on Book of Mormon in 2012.

[00:14:53] Okay.

[00:14:54] And so they have a setup there and like, you hear them talking about why they love Casa

[00:14:58] Bonita and why they wanted to bring everyone there to do it.

[00:15:00] And so, and then the flash forward to them in 2021 negotiating to buy it and like how

[00:15:06] much of an attraction it is for people of Denver and how much everyone loves it.

[00:15:09] Like Colin Jost and Pete Davis buying the Staten Island Fair and not realizing what they

[00:15:14] were getting themselves into.

[00:15:15] Yeah.

[00:15:15] I still think they're not doing anything with it.

[00:15:17] They're not doing anything with it, no.

[00:15:18] So once they get in there, you just see how, in what terrible condition it is and

[00:15:23] how everything in it is outdated and that what they thought was going to be a smaller,

[00:15:28] easy thing to do, it's going to cost them basically like 10, almost 10 times as much

[00:15:32] as they originally were going to spend.

[00:15:36] And it's, but like, what's great, honestly, my favorite thing about this and why I was

[00:15:39] really interested in it is wanting to see like Trey and Matt work on something like

[00:15:44] this.

[00:15:44] Sure.

[00:15:44] Something that's not South Park and watching, like hearing them talk about why it matters

[00:15:48] and what they're doing.

[00:15:49] And it's really fascinating to watch Trey be so involved in it because like he's directing

[00:15:54] everybody and like what he wants and he's very specific about like how he wants the cast

[00:15:59] to be doing certain things and like what they're incorporating it to make it entertaining and

[00:16:03] give it like that vibe of what he remembers from being a kid and have just being in love

[00:16:08] with this place.

[00:16:08] So very clearly directing.

[00:16:10] Yeah, 100%.

[00:16:11] And there's great bits too of them doing, there's like skeleton puppets that sit up on one of

[00:16:17] the caves and they're talking about the cave like, oh, don't go in the cave.

[00:16:21] And Matt Stone and Trey Parker do the voices, don't go in the cave.

[00:16:26] It's like, oh, and it's really funny watching them go back and forth and do this.

[00:16:29] I would love to go here.

[00:16:30] Yeah.

[00:16:31] So the thing is, it's going to be difficult for a while.

[00:16:33] It literally just opened to the public in September and they opened up reservations and

[00:16:39] immediately shut down because it was overwhelmed.

[00:16:41] Now they're in a place where they have a new reservation system in place, but they're already

[00:16:45] taking reservations for December.

[00:16:48] So it's going to be a while before like anyone really gets in.

[00:16:51] You're going to have to plan your trip around when you get a reservation.

[00:16:55] But the documentary is really fun to watch.

[00:16:57] It's a breezy 90 minute doc and watching Trey and Matt, you know, get involved with

[00:17:01] it and do and just kind of seeing, you know, what it took to turn it back into what he wanted

[00:17:06] it to be.

[00:17:06] It's just, it's crazy.

[00:17:07] It's crazy to see.

[00:17:09] So yeah, it's a lot of fun.

[00:17:10] Casa Bonita, Mia Moore.

[00:17:11] It's on Paramount Plus.

[00:17:12] All right.

[00:17:12] What else did you watch buddy?

[00:17:13] Um, I also watched oddity, which is a, uh, a new horror movie that is available to stream

[00:17:21] on shutter and it's available for digital rental.

[00:17:24] Um, and the less you know about this, the less you know about this one, I think the more

[00:17:30] fun, uh, you'll have with it.

[00:17:32] Okay.

[00:17:32] Kind of, uh, a little bit of like a, uh, a supernatural cursed objects kind of, uh, vibe

[00:17:39] to it.

[00:17:40] Um, and like, I don't even really want to say, say what the story is.

[00:17:44] I just kind of want you guys to go like, just seek it out and watch it.

[00:17:47] If you like horror movies, it's one of the more original horror movies I've seen.

[00:17:51] Is it like a, like a malignant or a barbarian where it's like, you just don't see it coming.

[00:17:55] Um, no, I don't want to go that far.

[00:17:59] It's just like, it's just the kind of story it is.

[00:18:02] And cause it's, it's partially, it's partially a thriller.

[00:18:07] And I just think these kinds of movies are more fun that way.

[00:18:10] Okay.

[00:18:11] And also it's kind of hard to like explain the story without digging into details that

[00:18:16] like might give you an idea of what's going to happen.

[00:18:18] And I'd rather not do so.

[00:18:20] Okay.

[00:18:20] Is it more thriller or more horror?

[00:18:23] So it's, it's a more of a thriller in the first half, but then as the story starts

[00:18:28] to unfold, you realize what the horror element is.

[00:18:31] Okay.

[00:18:32] Gotcha.

[00:18:32] Um, but it's, it's very good.

[00:18:35] It's, it's very original.

[00:18:36] Um, and yeah, I just, I really, really dug it.

[00:18:39] It was, it's good stuff.

[00:18:40] So if you're in the mood for some spooky stuff since it's October, I would give oddity a chance.

[00:18:46] It's definitely worth checking out.

[00:18:47] Uh, I did.

[00:18:48] And then I watched another movie that is on Netflix right now.

[00:18:51] That is, uh, a, a thriller with, with some, a little bit of comedic edge to it.

[00:18:57] Um, it's called it's what's inside and it is just awesome.

[00:19:04] Uh, it's just awful.

[00:19:06] No, it's awesome.

[00:19:08] It's like bodies, bodies, bodies, but with a mind fuck of a sci-fi twist to it.

[00:19:14] And it has a very distinct visual style, both in how it was shot and how it was edited.

[00:19:21] Almost like Edgar Wright made this movie, but like, as if Edgar Wright was making an A24 movie.

[00:19:27] Um, but it's an ensemble cast of relatively unknown people.

[00:19:31] Um, the, uh, the guy from I Love My Dad is in it though.

[00:19:35] The movie with Pat Nozzle, the guy who plays the son.

[00:19:38] Uh, he's one of like the bigger characters in it.

[00:19:40] But the premise for this one, um, is these friends are getting back together for this like reunion before one of them is getting married.

[00:19:48] Isn't it?

[00:19:48] I think I love my dad.

[00:19:50] No, it's I Love My Dad.

[00:19:51] Oh, okay.

[00:19:51] You're thinking of I Think I Love My Wife.

[00:19:53] Ah, there you go.

[00:19:53] The Chris Rock movie.

[00:19:56] Um, and...

[00:19:56] What?

[00:19:57] It just made me like the Chris Rock mixing up.

[00:20:01] Yeah.

[00:20:01] By the way, uh, Gavin Leatherwood's in this as well.

[00:20:04] What show is he from that you and I love?

[00:20:06] I don't know.

[00:20:07] Really?

[00:20:07] Yeah.

[00:20:09] Uh, from the Sex Lives of College Girls.

[00:20:11] Oh.

[00:20:11] He plays Nico Murray in the first season.

[00:20:13] Oh, okay.

[00:20:13] I, yeah, I think that I probably recognized like, I was like, I've seen him before but I didn't know where.

[00:20:18] Yeah, that's right.

[00:20:18] Uh, but so there's this wedding reunion that's happening between these friends and then one of them who they weren't expecting to show up ends up showing up.

[00:20:25] Uh, and he's kind of been away doing whatever.

[00:20:28] They're not really sure what he's been up to for the past year and he shows up, uh, with this suitcase that has this device in it that like allows them to play.

[00:20:35] You press a button and somebody in the world dies but you get a million dollars?

[00:20:39] No.

[00:20:40] Oh.

[00:20:40] Yeah.

[00:20:40] They should make a movie like that.

[00:20:41] That's a good idea.

[00:20:42] I'll, I'll send the thing to Hollywood.

[00:20:44] Um.

[00:20:45] It would do, it would like you do good box office.

[00:20:48] Okay.

[00:20:51] Uh, so the, the device he has in this suitcase is, uh, he, you take these like electrodes and you hook them up to your head and it allows you to switch people into other people's bodies.

[00:21:05] So they use it to play this game, kind of similar to like werewolf at night or something like that where you're trying to guess who is who.

[00:21:11] And so like you're in somebody else's body and you're trying to figure out who is in, you know, like your friend's body cause it's not actually them.

[00:21:19] Uh, and.

[00:21:19] Man, I would immediately run to the bathroom and look at my dick.

[00:21:22] Yeah.

[00:21:23] And you're like, oh, Nate's, Nate's a lot bigger than he says it is.

[00:21:28] That's what I'd do.

[00:21:29] That's, wow.

[00:21:30] Do they do that in the movie?

[00:21:31] Not really.

[00:21:32] Really?

[00:21:33] No.

[00:21:34] Well then it's not very realistic.

[00:21:35] No, no, it's pretty, it's pretty realistic.

[00:21:37] It's pretty realistic.

[00:21:38] No, it's a.

[00:21:39] I don't even know what that means.

[00:21:41] No, no, this movie is, uh, it's really cool.

[00:21:43] It's, it takes some surprising turns.

[00:21:45] I, I wasn't, uh, expecting.

[00:21:47] Um, but there's very much like a lot of betrayal and like suspicion and, uh, you know, sexual, uh, tension and what, and whatnot.

[00:21:57] But like, it's a lot of fun.

[00:21:59] Uh, I just.

[00:21:59] What's it called again?

[00:22:00] It's called it's what's inside and it's on Netflix.

[00:22:03] Oh, cause it's a body switching movie.

[00:22:04] Yeah.

[00:22:05] It's just, it's really.

[00:22:06] Should it be called who's what's inside?

[00:22:08] That doesn't make sense.

[00:22:09] Cause that's not a sentence.

[00:22:10] Who's what's inside me.

[00:22:12] That's a game that you play.

[00:22:15] Um, but this it's, it's just really cool.

[00:22:17] I, I cannot recommend it enough.

[00:22:19] Uh, I have to check out who's what's inside me on Netflix.

[00:22:21] Netflix.

[00:22:22] Don't check that out.

[00:22:23] You're not even going to get a Netflix result if you Google search that probably.

[00:22:27] You'll probably get Ben's like personal, you know, you pages page or something.

[00:22:32] You're welcome.

[00:22:33] What's that?

[00:22:34] You know what that is.

[00:22:38] Okay.

[00:22:40] Shut up.

[00:22:41] What's the last movie you saw?

[00:22:42] Numb Nuts.

[00:22:43] Yeah.

[00:22:44] He's talking to you, Nate.

[00:22:44] No, no.

[00:22:45] I call him Nate friend.

[00:22:47] I watched Tootsie today.

[00:22:49] You did?

[00:22:50] Yeah.

[00:22:51] It's about frigging time.

[00:22:52] I know.

[00:22:52] You were supposed to watch this last week, right?

[00:22:54] Two weeks ago even.

[00:22:57] Sure.

[00:22:57] I mean, seriously.

[00:22:58] And?

[00:22:59] Yeah, no, it's, it's, it's, I can see why it's famous.

[00:23:02] You think of Sidney Pollack, by the way.

[00:23:03] Yeah, exactly.

[00:23:04] Yeah.

[00:23:04] I can see, I obviously, it's dated now, but I can see why it's very famous.

[00:23:09] What's dated about it?

[00:23:10] I mean, you could easily, nowadays, you don't tell a story like that anymore.

[00:23:14] You got to cut so much out of there.

[00:23:16] They have so many musical montages where they play the Tootsie theme song and he's putting

[00:23:21] makeup on like throughout.

[00:23:22] That's just, that's.

[00:23:23] They do it a lot.

[00:23:24] Yeah, but that's.

[00:23:25] When's the last time you saw it?

[00:23:26] I hate that that's, I literally just watched it two weeks ago because it was, it was on

[00:23:29] and I put it on and I kept getting distracted by it.

[00:23:32] That's just like.

[00:23:33] It's two hours long.

[00:23:34] It could be an hour 40 and they could cut some of the superfluous stuff out of it.

[00:23:37] That adds like personality to the movie though.

[00:23:40] Like it's like, there's stuff like that for a reason.

[00:23:41] Like I feel like you have this like contemporary mentality.

[00:23:43] Like I only have so much time to watch a movie.

[00:23:45] No, I mean.

[00:23:45] I can't sit here and have these stylish voices from an artistic director.

[00:23:47] I just, I think that these days they would just, you would just shoot it a little differently

[00:23:52] and like it, they really explain like the movie.

[00:23:57] I was like, I think audiences today because there's just been so much cinema since then,

[00:24:02] we get it.

[00:24:02] Like I've seen so many movies like that where it's like you don't need to explain every.

[00:24:06] Yeah, but you, but this is different.

[00:24:07] Like this was when this movie came out.

[00:24:09] Like it's not going to be like that.

[00:24:10] I know.

[00:24:11] I was just saying like, that's why it doesn't hold up.

[00:24:13] So you're saying.

[00:24:14] It does though.

[00:24:14] This movie is still studied and like proposed to people as far as like what, as far as

[00:24:19] like how to write a perfect screenplay.

[00:24:21] Like this is a classic that holds up for every reason.

[00:24:25] I'm just saying for contemporary audiences, it would be a bit boring.

[00:24:28] That's all.

[00:24:28] I totally disagree.

[00:24:30] So it's about two hours long.

[00:24:31] You think about an hour and 45.

[00:24:33] Yeah, honestly, there's, there's, there's 10 minutes there.

[00:24:35] You could probably easily cut out and not lose anything.

[00:24:37] No, I haven't seen it.

[00:24:37] I would love for you to watch Tootsie and see what you think about this.

[00:24:40] Cause I think you're going to come away and you'll love this movie.

[00:24:42] Okay.

[00:24:44] Honestly, I think that Ben's just been in a bad mood in general and he couldn't get lost

[00:24:47] in Tootsie.

[00:24:47] No, it was, it was fine.

[00:24:49] I see.

[00:24:50] It's one of those things.

[00:24:51] Uh, I, I, I sat through Seven Samurai and I get it.

[00:24:55] It's renowned for a reason, but it's just, it's a, it's fine.

[00:24:59] It's not, it's, it's way too long.

[00:25:01] It's, it's, you know, I'm, I'm somebody who like you appreciates movies like that.

[00:25:07] And they can also walk away and be like, oh yeah, but like, I don't, I won't need to watch

[00:25:11] that again.

[00:25:11] Exactly.

[00:25:12] I've watched, I've watched Tootsie so many times.

[00:25:14] I, I love this movie.

[00:25:16] I think it's so funny.

[00:25:16] I think Dustin Hoffman is fantastic in it.

[00:25:19] Uh, I mean, Jessica Lange is great in it.

[00:25:21] Um, like Dabney Coleman has a great mustache.

[00:25:25] Dabney Coleman has a great mustache and he's a perfect asshole in this, in this movie.

[00:25:28] He's doing the exact, which came first, this or nine to five?

[00:25:31] This.

[00:25:31] So yeah, he, then they basically cast him again in nine to five doing the exact same.

[00:25:35] Well, he was very famous for playing roles like this.

[00:25:36] Yeah.

[00:25:37] He's always played roles like this.

[00:25:38] Yeah.

[00:25:38] I get it.

[00:25:39] It's, it's a classic for a reason.

[00:25:41] I respect that.

[00:25:41] It's just, it's, it's, it's, it's, it's a little, it's a little long and a little boring.

[00:25:46] I thought you were going to come away and you were going to like it, but I guess I liked

[00:25:48] it.

[00:25:48] I didn't love it.

[00:25:49] I liked it.

[00:25:49] I should have anticipated that it's fall and Ben's heart is cold right now.

[00:25:53] It's just fine.

[00:25:54] Yeah.

[00:25:55] It's really upsetting.

[00:25:58] Go ahead.

[00:25:58] Keep going about talking about the other movies that you watched.

[00:26:00] I'm sure you watch them like Mr. Mr. Magoo's fucking poor him and you got a big kick

[00:26:03] out of that.

[00:26:04] What?

[00:26:05] Did you see Hercules?

[00:26:05] I watched Hercules.

[00:26:07] Hercules.

[00:26:07] Last night I watched Hercules with the boys and Ashley and it was, yeah, it's, it's very good.

[00:26:13] Uh, it's a lot of fun.

[00:26:15] Um, yeah, no, it's, it holds up.

[00:26:17] I'm like Tootsie.

[00:26:18] Uh, what did the boys think?

[00:26:22] Have they seen it before?

[00:26:23] They've seen it before.

[00:26:23] It's 1997.

[00:26:24] So I didn't know.

[00:26:24] They've seen actually quite a few, uh, uh, movies of that generation.

[00:26:29] Um, no, I mean the, the thing that I really liked about it, I think that was the, um, the

[00:26:34] muses telling the story is such a cool plot, like it's plot device.

[00:26:39] And I really liked that because it, it gives you so much more backstory and it, it kind

[00:26:45] of like hurries the plot without hurting the plot.

[00:26:48] And so you get to cut to the juicy parts of watching Hercules in these different areas,

[00:26:52] uh, uh, do what he does.

[00:26:53] James Wood, of course, a voice is an incredible bad guy as always.

[00:26:57] Cause he's a big James Woods fan.

[00:26:58] He's a real piece of shit.

[00:26:59] I was just saying he's a real piece of shit in real life.

[00:27:01] Rip, uh, rip, uh, torn as the, as, as Zeus.

[00:27:05] Great voice.

[00:27:07] Um, who, who voices Hercules?

[00:27:09] Uh, Tate Donovan.

[00:27:11] Who is that?

[00:27:12] It's an actor.

[00:27:13] Is he famous still?

[00:27:14] Not really anymore, but he's, he's relatively well known.

[00:27:17] Yeah.

[00:27:17] He's, he's pretty well known.

[00:27:19] He was, uh, let me give you a couple of roles that he's done in.

[00:27:25] Um, swordfish.

[00:27:26] Much bigger in the eighties and nineties.

[00:27:27] Good luck.

[00:27:28] You're not gonna know him from a lot of these things that he's saying.

[00:27:31] Um, Argo?

[00:27:32] No, you're still not gonna.

[00:27:33] Um, go back to the nineties.

[00:27:36] I'm trying to find like anything he's been nominated for.

[00:27:40] Um, not that kind of actor.

[00:27:41] Yeah.

[00:27:42] It is true.

[00:27:44] I was like, maybe there was a role that he was in, uh, Love Potion number nine.

[00:27:48] Oh yeah.

[00:27:49] Actually.

[00:27:49] He was the opposite of Sandra Bullock.

[00:27:51] Sandra Bullock.

[00:27:51] I know exactly what that is now.

[00:27:52] So he told you.

[00:27:53] Oh wow.

[00:27:53] Actually, Hercules kind of looks like him.

[00:27:55] They did a good job of like portraying that actor.

[00:27:57] Oh, that's great.

[00:27:59] Good job, Nate.

[00:28:00] Uh, Danny DeVito.

[00:28:01] I don't know.

[00:28:01] Oh yeah.

[00:28:02] Yeah.

[00:28:02] No, he's, he's wonderful.

[00:28:03] Did you recognize who he played?

[00:28:05] Huh?

[00:28:05] Do you recognize who Danny DeVito played?

[00:28:08] The, like which character?

[00:28:09] Yeah.

[00:28:10] I was trying to place a voice that holds on.

[00:28:12] Which one's Danny DeVito?

[00:28:13] It's tough.

[00:28:14] Uh, there was though, like in this era of Disney films, which aren't, or right after,

[00:28:20] right?

[00:28:20] The golden kind of era of the nineties where you had beauty and the beast, Aladdin, Lion

[00:28:25] King, um, the little mermaid.

[00:28:27] Yeah.

[00:28:28] Then you have this, like the hunchback of Notre Dame, Hercules, Mulan.

[00:28:31] I think Pocahontas is kind of a bridge one there.

[00:28:35] Uh, Tarzan.

[00:28:36] They're not the most popular ones, but they're not bad at all.

[00:28:41] No, no.

[00:28:41] Right.

[00:28:41] And actually some of them are very good.

[00:28:43] There's good morals here.

[00:28:44] It's, uh, it is, it's a, it's a good story for kids.

[00:28:48] Like there, there's a lot.

[00:28:49] We did point out that, uh, Hades, uh, James Woods smokes a cigar.

[00:28:53] And so it's just weird to see that because like Ashley pointed out, she said, wow, smoking

[00:28:58] in a Disney movie.

[00:28:59] Oh yeah.

[00:28:59] I'm like, well, at least it's the villain.

[00:29:01] It would be a lot different if Hercules was like, oh, as long as I got my palm holes,

[00:29:05] I'm good to go.

[00:29:06] I think more heroes need to smoke, to be honest.

[00:29:10] Well, there was a lot of smoking in Tootsie, so I'm sure you love that movie for that reason.

[00:29:13] Yeah.

[00:29:13] Smoking looks cool.

[00:29:14] They were smoking around babies in that movie.

[00:29:16] Smoking looks cool.

[00:29:18] It was terrible.

[00:29:18] It is fitting that James Woods is the villain.

[00:29:20] Yeah, exactly.

[00:29:21] Very true.

[00:29:22] Um, no, it's very good.

[00:29:23] Hercules and like Emperor's New Groove and stuff like that.

[00:29:26] Those were all the Disney movies that like came out around the time when I was starting

[00:29:29] to like grow up and get into MTV.

[00:29:31] And so I don't have this like reverence for them.

[00:29:34] Like even, even he was, he was too cool.

[00:29:36] Even Mulan.

[00:29:37] I wasn't like super into, um, I, they're very good.

[00:29:40] Uh, but I just.

[00:29:41] Brad famous is like, that's a chick in the military.

[00:29:43] Boo.

[00:29:44] Uh, Brad, I had not seen them until I was an adult when my kids were little.

[00:29:48] Right.

[00:29:48] And so I started watching these because you've seen some, you know, you've watched all of

[00:29:53] the same movies.

[00:29:54] So you're like, let's, let's, you know, let's get on the Disney.

[00:29:56] I'm truly struggling to give them movies that I've seen that they haven't.

[00:30:00] Yep.

[00:30:00] They've seen everything.

[00:30:01] So I remember watching these films, right?

[00:30:04] You stayed, you stayed away from like family material so much because you hated the idea

[00:30:08] of family.

[00:30:09] No, I mean, but I'm still a kid.

[00:30:11] So I watched all those movies, right?

[00:30:12] You watched some of them, but there's like, you go and look at the list.

[00:30:14] There's a ton of like family and animated movies that you have not seen.

[00:30:18] Yeah.

[00:30:19] There's some.

[00:30:20] Yeah.

[00:30:20] Name three.

[00:30:21] Homeward bound.

[00:30:22] I just saw that.

[00:30:24] Hercules.

[00:30:24] But you hadn't seen it.

[00:30:26] Well, yeah, but I watched that just on my own.

[00:30:28] Hercules.

[00:30:29] Well, that's okay.

[00:30:29] That's two.

[00:30:30] We made you watch how to train your dragon.

[00:30:32] That was before I had kids.

[00:30:33] Yeah, I know.

[00:30:34] But that's what I mean.

[00:30:34] You hadn't seen them.

[00:30:35] That wasn't in my childhood though, you idiot.

[00:30:38] No, I'm not talking about your childhood.

[00:30:39] I'm talking about as an adult.

[00:30:40] Like you haven't watched a lot of the family or animated movies that have come out in like

[00:30:44] the past 15 years.

[00:30:45] What I'm saying is that I am struggling to find the kids movies from my childhood that

[00:30:51] these kids haven't already seen.

[00:30:52] Well, yeah, because Ashley's around your age and she's shown them the ones that she

[00:30:54] loves growing up.

[00:30:55] My God, we're on the same page.

[00:30:57] Why are you arguing?

[00:30:58] I just don't hear it from you.

[00:30:59] Oh my gosh.

[00:31:00] Anyway, I watched, those are the two movies that I was assigned.

[00:31:06] And then I also watched...

[00:31:11] Oh, good.

[00:31:12] Must have been a fun one.

[00:31:14] I really did watch something.

[00:31:16] Was it a TV show?

[00:31:16] Son of a bitch.

[00:31:17] No, I did watch something though.

[00:31:19] I'm not.

[00:31:20] Let's talk about a TV show.

[00:31:21] Was it Wild Things?

[00:31:24] Well, I'm halfway through Wolves.

[00:31:26] You mean Wolves?

[00:31:27] Wolves.

[00:31:28] Yeah.

[00:31:28] I'm halfway through Wolves.

[00:31:29] Heard it's not that great.

[00:31:30] It's fine, so far.

[00:31:31] Yeah.

[00:31:32] But no, I did.

[00:31:32] I fucking watched something and that's really gonna take me off.

[00:31:37] Anyway, it'll come to me and I'll interrupt Nate.

[00:31:39] Nate, what's the last movie you watched, buddy?

[00:31:41] I only got to see one film this week, but it was the film I was given by my buddy Brad.

[00:31:48] That's me.

[00:31:49] The Swamp Thing.

[00:31:51] That's...

[00:31:51] Oh boy.

[00:31:53] No, I gave you The Swedish Thing.

[00:31:54] Oh.

[00:31:55] Did you not watch The Swedish Thing?

[00:31:56] No, no, no.

[00:31:56] I gave you The Swedish Thing.

[00:31:59] The fish?

[00:32:00] No, it's about Swedish Chef.

[00:32:02] Oop, oop, oop.

[00:32:04] Borky, bork, bork.

[00:32:05] How about The Thing from 1982?

[00:32:09] Did you really give that?

[00:32:10] Yeah.

[00:32:11] Cool.

[00:32:11] This was given to me by my buddy Brad.

[00:32:14] Did I just miss this in the thread?

[00:32:16] Or did you just listen to us?

[00:32:18] I think it happened around the time that me and Nate decided we were gonna be proactive

[00:32:22] and assign movies and you were just like out futzing around, tugging your pud or something?

[00:32:25] Moving into a new house?

[00:32:27] You know, whatever you wanna call it.

[00:32:28] Okay.

[00:32:30] But this is obviously...

[00:32:31] You know what, hey guys, real quick, full disclosure.

[00:32:33] Yep.

[00:32:33] A lot of futzing my pud.

[00:32:37] Well, you gotta break in the new house.

[00:32:40] This is a...

[00:32:41] Don't come in, I'm futzing my pud!

[00:32:45] I'm just like, you come in and I'm just like cleaning the drapes.

[00:32:48] That's what we call futzing my pud!

[00:32:50] It's an old term.

[00:32:52] You know what I love, Lucy, where it's like,

[00:32:54] Lucy, are you futzing the pud?

[00:32:57] Ahhhh.

[00:33:00] Alright, so you saw The Thing, Nate.

[00:33:03] So, let's start off here.

[00:33:05] This is a film, as I've researched,

[00:33:07] because I always research a film you guys give me as well after I watch them.

[00:33:09] Oh, after, okay.

[00:33:10] No, after I watch them.

[00:33:11] I thought he was like, well, I...

[00:33:12] I read the entire Wikipedia.

[00:33:14] Before you watched, yeah.

[00:33:15] Because this is the worst movie to do that, by the way.

[00:33:17] You know, because I like to do it afterwards just to have some more to talk about.

[00:33:21] And I'm always interested in how they make it and, you know, whether it was well received.

[00:33:24] I was really shocked by this.

[00:33:26] This was not well received when it came out.

[00:33:28] No.

[00:33:29] And it was a kind of a box office bomb back in the day, too.

[00:33:31] Very much so.

[00:33:32] It was a budget of $15 million and it only made $19 million.

[00:33:34] Mm-hmm.

[00:33:35] And so, this is a film directed by John Carpenter.

[00:33:40] I'm not gonna lie, I did for a second think I was watching The Swamp Thing.

[00:33:45] It was in my head.

[00:33:48] Wait, wait, hold on.

[00:33:49] When you were going to, like, find the movie or, like, when you press play...

[00:33:54] No, like, when you said watch The Thing.

[00:33:55] You thought it was Swamp Thing.

[00:33:56] I'd be like, oh, I've never seen Swamp Thing.

[00:33:58] Oh, my God.

[00:33:59] And you're like, wow, he's gotta be really cold swimming around.

[00:34:02] Yeah, I didn't know Kurt Russell was in this.

[00:34:04] And so, I was starting in Antarctica.

[00:34:06] Kurt Russell and the Swamp Thing.

[00:34:07] I was starting in Antarctica, huh?

[00:34:08] Blah, blah, blah, blah, blah, blah, blah, blah, blah.

[00:34:10] I wonder when we're gonna get to the swamp.

[00:34:12] Yeah, it's like, it needs a warm swamp.

[00:34:14] What, 10 minutes left and we haven't gotten to the swamp yet?

[00:34:16] Really, going crazy here.

[00:34:17] Global warming.

[00:34:19] Wobba, wop, wop, bop.

[00:34:21] But this is a film about aliens.

[00:34:25] Yep.

[00:34:26] I did create a game, by the way, about aliens for the two of you, if you guys wanna play it later.

[00:34:31] Oh, I like this.

[00:34:32] But what's interesting about this film is it is a little slow at times.

[00:34:37] Oh, yeah.

[00:34:38] And so, there is a pacing to this film that you have to get used to a little bit.

[00:34:42] Like, because it is not like a...

[00:34:45] It is not a...

[00:34:47] There are scary parts of this.

[00:34:48] This is a horror film, right?

[00:34:50] Yeah.

[00:34:50] But it is not right away a jump horror film, like, you know, where I'm...

[00:34:55] It's using suspense as part of the buildup, right?

[00:35:01] Yeah.

[00:35:02] Yeah.

[00:35:02] And I wanna say this in a less accusatory fashion than I said earlier with Ben, because

[00:35:05] when Ben said it, it sounds stupid.

[00:35:06] Yeah, this is the exact same thing I said.

[00:35:08] He was like, well, no, I believe you, Nate, but I fucking hate Ben.

[00:35:11] I do wonder if there is a perspective change that has happened with how media has been

[00:35:18] recently that has kind of ruined our patience.

[00:35:21] Yeah, and I don't...

[00:35:22] That's what I'm saying.

[00:35:22] Like, for contemporary audiences, it's too slow.

[00:35:25] No, no, but I don't...

[00:35:26] But that's my thing, though, is like, I don't think it's necessarily like...

[00:35:28] It's not the movie's fault.

[00:35:29] Yeah, but I don't think...

[00:35:30] But I don't actually...

[00:35:31] I don't think that it's something that needs to change either, though.

[00:35:34] Like, if you were to make Tootsie Today exactly as it was made back then, I think...

[00:35:38] I think you would bomb.

[00:35:39] No, well, I mean, it's a different environment.

[00:35:41] But what I'm saying, though, is I wouldn't change the approach or the style, and I would

[00:35:46] want slower moments.

[00:35:47] I would want the breathing room.

[00:35:49] Like, with the thing you're talking about, I wouldn't want to lose those things for the

[00:35:52] sake of a faster pace or to, like, keep an audience, like, engaged and like, oh, no,

[00:35:57] they're gonna go wash the dishes or something.

[00:35:59] It's like, fuck off.

[00:36:00] Let people, like, sit in, like, suspense and sit in quiet and stillness for a bit.

[00:36:05] Like, let them, like, find patience.

[00:36:07] Like, you know, I...

[00:36:08] We've ruined society.

[00:36:09] It's no longer...

[00:36:10] That's so frustrating to me, because, like, that's one of my favorite things about the thing.

[00:36:13] And it was one of the harshest critiques by multiple critics was it was slow and boring.

[00:36:19] But now, that's like...

[00:36:20] Wait, even back then?

[00:36:21] Yeah.

[00:36:21] No, that was...

[00:36:21] But that's now one of the things that, like, people love about it.

[00:36:24] Like, that's one of the things that it's praised for.

[00:36:26] But I do like that even when it came out in 82, like, Ebert was like, mmm, a little slow.

[00:36:30] Yeah, I mean, Ebert did say it was scary, though.

[00:36:32] Yeah.

[00:36:33] And it is.

[00:36:33] It's very scary.

[00:36:34] But...

[00:36:35] And what's really interesting about this is John Carpenter, who obviously had a large career,

[00:36:41] right?

[00:36:41] Very well known.

[00:36:43] This film kind of resided deep in his recesses because of the failure he wrote in 2008.

[00:36:49] He talks about it.

[00:36:50] He says, I take failure...

[00:36:52] I take every failure hard.

[00:36:55] The one I took the hardest was the thing.

[00:36:58] My career would have been different if that had been a big hit.

[00:37:01] The movie was hated.

[00:37:03] Even by science fiction fans.

[00:37:05] They thought that I had betrayed some kind of trust and the piling on was insane.

[00:37:09] Even the original movie's director, Chris Nyby, was dissing me.

[00:37:13] What I don't understand is, fine, it's a little slow, right?

[00:37:17] Maybe people are saying it's a little slow or whatever.

[00:37:20] Yeah.

[00:37:20] Or maybe, you know, the acting's good, if not great.

[00:37:25] The special effects are fun.

[00:37:27] Amazing.

[00:37:29] Why would anybody hate this film?

[00:37:31] That's what I don't understand.

[00:37:31] I know.

[00:37:32] I know.

[00:37:32] Is it a real departure from the original?

[00:37:35] I mean...

[00:37:36] The original was like 1935.

[00:37:37] Yeah.

[00:37:37] I mean, it's a...

[00:37:38] But is it the same story?

[00:37:40] Like Trapped in Antarctica?

[00:37:42] No, definitely not.

[00:37:44] I don't know anything about the original.

[00:37:45] It's a totally different...

[00:37:46] It's based on a book, right?

[00:37:47] Yeah, it's a totally different movie, a totally different vibe.

[00:37:50] You're talking about like a cheesy old school sci-fi movie compared to this dark, chilling

[00:37:59] kind of horror thriller.

[00:38:00] So it sounds like the original director would go fuck himself if he directed an Ed Wood level

[00:38:04] movie.

[00:38:05] Well, we're not talking about Ed Wood, but like I mean...

[00:38:07] But he's a cheesy sci-fi 19 black and white 50s movie.

[00:38:10] Well, that's just what the vibe of sci-fi was back then.

[00:38:12] Yeah, so he has no room to talk.

[00:38:13] Movies like that were a rarity.

[00:38:16] But it is one of those things though where, like you said, maybe it was just created before

[00:38:20] it can be appreciated in its era.

[00:38:23] Yeah, I mean there's plenty of movies that are ahead of their time.

[00:38:25] Because there are many, many great filmmakers today that point to this as one of the standards

[00:38:32] for horror.

[00:38:33] Yeah, 100%.

[00:38:35] For how to make a horror film.

[00:38:36] For how to build suspense and things like that.

[00:38:40] And so, you know...

[00:38:41] How to actually leave a film.

[00:38:43] This is one of the things it does too.

[00:38:44] It doesn't wrap up a horror film.

[00:38:46] It doesn't wrap it up at all.

[00:38:48] Right?

[00:38:48] You don't know what's going to happen at the end there.

[00:38:50] Right?

[00:38:51] And it's like, oh, it's over.

[00:38:53] Okay.

[00:38:53] Right?

[00:38:54] Yeah, that's why they did thing too.

[00:38:55] Electric bugaloo.

[00:38:57] Bugaloo.

[00:38:57] So the original thing was from 1952.

[00:39:02] And it does take place at the North Pole, but...

[00:39:04] Oh, so it wasn't a...

[00:39:06] North Pole or Antarctica.

[00:39:06] Oh, yeah.

[00:39:08] He shit all over me.

[00:39:09] I said, what, is it not taking place at the North Pole?

[00:39:10] No, no, no.

[00:39:10] No, it doesn't fucking take place at the North Pole like that.

[00:39:36] Yeah, I don't...

[00:39:37] I think Brad right now, but it could be you.

[00:39:41] Yeah, no, it is Brad though.

[00:39:42] No, I'm a thing.

[00:39:43] He doesn't like fire.

[00:39:46] That's for a whole...

[00:39:47] That's for a whole other reason though.

[00:39:50] Because you went to the fire fest?

[00:39:52] No, Burns.

[00:39:55] Back to Tootsie real quick.

[00:39:57] One of the things I actually did really appreciate was...

[00:40:01] Even if I'm saying it didn't age well as far as like for contemporary audiences,

[00:40:06] it aged incredibly well for dialogue as far as the idea that what it could have been

[00:40:14] as far as using the gay F-slur and...

[00:40:17] Because once the love interest's father finds out that he's a man...

[00:40:23] Yeah.

[00:40:23] And they meet at the bar, that scene is incredible.

[00:40:26] And it's like...

[00:40:26] It touches on like you're lucky I didn't punch you, but it's not...

[00:40:29] No, it's not...

[00:40:30] It's not mean like that.

[00:40:31] No, that's a big part of why it holds up.

[00:40:33] And especially the...

[00:40:33] And the gender...

[00:40:34] Are you gonna let me be done complimenting it first?

[00:40:36] Before you just jump down my throat?

[00:40:38] I guess.

[00:40:38] I was just saying that a lot of this stuff actually does hold up and in that way.

[00:40:44] I'm very proud of that film for being ahead of its time.

[00:40:47] Because a lot of films right then, made in the same year, I'm sure had a bunch of...

[00:40:52] No, for sure to clarify, you're saying it is a woke film.

[00:40:54] It really is.

[00:40:54] Oh boy.

[00:40:55] It really is.

[00:40:56] In the best term.

[00:40:58] Yeah.

[00:40:58] The gender politics, especially, are like...

[00:41:00] Whoa.

[00:41:01] Just the way that they...

[00:41:05] But yeah, no, the way all of that is portrayed and everything.

[00:41:07] No, I mean to Brad's credit, he said out loud, it takes a man to tell women how to act.

[00:41:13] Yeah, I know.

[00:41:14] He's got that shirt.

[00:41:15] If finally you get a man to show him how it's done, and then he saves the day, he white-knights

[00:41:22] it if you will, and that's a Brad term, and it means it very positively.

[00:41:26] Dustin Hoffman's character shows women how to behave and lets them finally be free.

[00:41:32] Is that fair to say?

[00:41:33] Well, I think I said white power knight, but yes.

[00:41:35] What?

[00:41:38] What?

[00:41:39] What?

[00:41:39] Turning back, you're telling me you didn't love that last monologue by Dustin Hoffman

[00:41:45] It's great.

[00:41:46] When he reveals...

[00:41:47] No, that was incredible.

[00:41:49] I loved the...

[00:41:50] To speak to the screenplay, I thought the whole time they're painting themselves into

[00:41:55] a corner, how are they going to get out of here?

[00:41:57] Right.

[00:41:58] And that is a great turn.

[00:41:59] I really appreciated that.

[00:42:01] I loved her coming up and punching him in the stomach.

[00:42:03] I loved the bar scene with the little man in him.

[00:42:06] I loved Bill Murray as the...

[00:42:09] That is one nutty hospital.

[00:42:11] He's great.

[00:42:12] But the whole time he's great, right?

[00:42:13] Yeah.

[00:42:13] Because you can play...

[00:42:15] You can...

[00:42:16] I'm sorry.

[00:42:16] I know that I said that it doesn't blah, blah, blah.

[00:42:18] But the things that do really work, of course, about this movie are the whole time Bill Murray's

[00:42:24] character could have been the chauvinistic roommate who's just kind of a slimy piece

[00:42:31] of shit.

[00:42:31] Because even though he's pretentious, that scene in the first part of the film, there's

[00:42:36] a scene where he's sitting there talking to other theater people and he's like, I did

[00:42:41] a show and it was pouring down rain and people for 45 minutes were human until they dried off.

[00:42:48] I wish I could operate a theater that only was open when it rained.

[00:42:52] And he's being very serious and it's just very...

[00:42:55] Oh, we've all met people like that and they're like, fuck you, bro.

[00:42:58] But he's not a bad person, right?

[00:43:00] Yeah.

[00:43:00] And there's not a lot of bad people here.

[00:43:03] Even...

[00:43:04] What's the guy from 9 to 5?

[00:43:05] Demi Coleman.

[00:43:06] Even he is clearly just a product of his environment and his time.

[00:43:12] He's not technically doing anything really horrible to people.

[00:43:17] He's doing the typical 1980s misogyny and taking advantage by manipulation.

[00:43:23] But there's no...

[00:43:24] He's not a rapist or anything like that.

[00:43:26] He's not going crazy with it.

[00:43:27] The worst is the guy from Empty Nest.

[00:43:30] I don't remember what his name is, but he's an older actor.

[00:43:33] He's always kissing everyone.

[00:43:34] He's always kissing everybody and then he really forces himself on Tootsie.

[00:43:38] And I was like, this is getting aggressive.

[00:43:40] And honestly, I remember when Bill Murray's character walks in as Empty Nest is making

[00:43:44] out with Tootsie or trying to, and I'm like, oh, thank God.

[00:43:48] It was just really a tense scene, you know?

[00:43:50] There's a lot of good stuff like that here.

[00:43:52] Yeah.

[00:43:52] Yeah.

[00:43:53] One of the reasons too, I love this just from a technical standpoint too, is it does standard

[00:44:00] screenplay...

[00:44:02] Tropes almost?

[00:44:03] Not even tropes, but just fundamentals of setting up stuff that you don't realize how

[00:44:08] it's going to pay off later.

[00:44:10] Like setting up the fact that like, oh yeah, every now and then we have something that

[00:44:15] went wrong and we have to do a scene live.

[00:44:17] A live, yeah, yeah, yeah.

[00:44:17] And it's not even obvious enough that you're thinking, oh, that's got to come back later.

[00:44:20] Yeah, no, I didn't see that coming for sure.

[00:44:22] Yeah.

[00:44:22] I also like that everything had a reason, right?

[00:44:27] So like you would say this, if you've never seen Tootsie, obviously kind of an asshole actor

[00:44:33] doesn't often can't get any roles as an asshole.

[00:44:35] Nobody wants to work with him.

[00:44:37] Sidney Pollack is very clear.

[00:44:38] So he becomes, he just does drag and he goes as a woman for this aggressive woman part

[00:44:43] and he gets it, much to the chagrin of Terry Garr, plays his girlfriend, friend, girlfriend.

[00:44:50] She doesn't get the part, he gets the part.

[00:44:52] Obviously she doesn't know that he's Mrs. Doubtfiring the whole thing and dressing up like a woman.

[00:44:56] They take that and run with it where he gets to start as this character, as this actress,

[00:45:03] starts to just ad lib the script and disagree and push back on this patriarchal system

[00:45:09] and this misogynistic bullshit.

[00:45:12] And they set it up so well because there's a woman executive that's like, I don't know, let her do it.

[00:45:17] And then they have a meeting in the office where Dustin Hoffman's character is brought in

[00:45:22] and the woman executive says, I'm in a real pickle here, you know?

[00:45:27] Nobody treats a very good director like you treat that director,

[00:45:30] but we're up three shares and points and whatever and you brought in new videos.

[00:45:33] So I can't disagree with what you're doing, which then emboldens him to keep doing it and doing more.

[00:45:38] So finally the escalation is that, of course, how are you going to finally reveal that this is a man?

[00:45:42] He can't keep doing this forever.

[00:45:43] And they do a great monologue at the end of the movie and it really works out well.

[00:45:47] Yeah.

[00:45:47] All of that is, again, the screenwriting is very, very well done here.

[00:45:51] Dustin Hoffman is wonderful.

[00:45:53] The cast of the carriage is wonderful.

[00:45:54] I was only starting off by saying there are a lot of musical montage stuff that's just a little old school

[00:46:00] that I just wouldn't choose to do these days, that's all.

[00:46:02] All right, so Nate, circling back to the thing, you really liked it.

[00:46:07] I did enjoy this.

[00:46:08] Obviously not my favorite genre of films.

[00:46:12] Hey, at least it wasn't in space.

[00:46:13] But it wasn't in space.

[00:46:14] What about something from space though?

[00:46:16] You brought the alien into Earth, which if my feet can stay on the ground on this planet, I'm a little happier.

[00:46:21] I would posit that the desolation and the coldness of Antarctica though, kind of space-like.

[00:46:27] It is.

[00:46:28] Yep.

[00:46:29] Just saying.

[00:46:29] But very good film.

[00:46:30] Very good film.

[00:46:31] Yep.

[00:46:33] Still waiting on the swamp to come, but we'll see.

[00:46:36] That's in the second one.

[00:46:37] Yeah.

[00:46:38] Okay.

[00:46:38] All right.

[00:46:39] Or a rock man.

[00:46:40] That's in The Finger.

[00:46:42] Marvel's The Thing.

[00:46:44] Try again.

[00:46:44] No.

[00:46:46] The Finger.

[00:46:47] Okay.

[00:46:47] Well, not really hitting home on that one, buddy.

[00:46:50] It's a sequel.

[00:46:52] More Thing.

[00:46:55] Bigger Thing.

[00:46:57] Bigger Thing.

[00:46:59] Cool.

[00:47:00] I'm glad you watched it.

[00:47:01] That's the only thing you watched?

[00:47:01] You didn't even watch any TV?

[00:47:03] Nope.

[00:47:03] Nothing.

[00:47:04] What have you been doing?

[00:47:05] Working a lot.

[00:47:07] Toothing.

[00:47:09] That's what the second one's called.

[00:47:10] Toothing.

[00:47:10] Oh.

[00:47:11] That sounds like a dentist thriller.

[00:47:12] I know.

[00:47:12] Yeah.

[00:47:13] That's true.

[00:47:13] It's going to confuse people.

[00:47:15] Do you guys want to keep doing the podcast?

[00:47:17] Wait, did you only watch two?

[00:47:18] No.

[00:47:19] I watched like four things.

[00:47:20] I talked about them all.

[00:47:21] Really?

[00:47:21] Tonight?

[00:47:22] What?

[00:47:22] Tonight?

[00:47:23] Yes.

[00:47:24] I had to bring my list back.

[00:47:25] Casa Bonita.

[00:47:26] You watched Oddity.

[00:47:27] Changing Lanes.

[00:47:28] Changing Lanes.

[00:47:29] And it's what's inside.

[00:47:30] Four.

[00:47:31] And I also re-watched Please Don't Destroy, but I didn't talk about that.

[00:47:34] Well, see, there's five.

[00:47:36] Yeah.

[00:47:37] Okay.

[00:47:37] We'll say that then.

[00:47:38] All right.

[00:47:38] Between the two of us, we watched six.

[00:47:40] And I watched seven, eight.

[00:47:41] Probably nine that I don't remember.

[00:47:42] Yeah, there's a lot.

[00:47:43] There's one in there, again, that I do not remember.

[00:47:44] We're really a good team.

[00:47:45] If you guys don't want to do the podcast, just say it.

[00:47:47] We watched eight movies together.

[00:47:49] By the way, we also do another podcast, an SNL podcast that we've got to spend a lot

[00:47:53] of time preparing for.

[00:47:54] Yeah.

[00:47:55] I'm sorry.

[00:47:56] You spend a lot of time preparing, and I spend a lot of time preparing.

[00:47:59] Yeah.

[00:48:00] Yeah.

[00:48:00] And I had the idea for both these shows, so-

[00:48:03] We're all bringing what we have.

[00:48:05] You bring what we can have.

[00:48:06] Yeah.

[00:48:06] Once you're done moving into this fucking house-

[00:48:10] And building our new studio.

[00:48:11] Yeah.

[00:48:12] You're welcome, by the way.

[00:48:13] If you're not- He's not building anything.

[00:48:15] He's just putting in, like, furniture and microphones.

[00:48:19] If I build it, you will come.

[00:48:21] Oh, trust me.

[00:48:22] I'll come everywhere.

[00:48:23] Okay.

[00:48:23] Easy there, you shiz.

[00:48:27] So, I want to know, once the house has moved into, are you going to come back with a vengeance

[00:48:32] and actually, you know, watch stuff and pay attention again?

[00:48:34] You know, when we were off for those couple of weeks, I remember coming with a list of like

[00:48:39] 21 movies I had watched.

[00:48:41] Yeah, but part of that was because you were like sick in bed and all you were like, you

[00:48:43] could do is watch stuff.

[00:48:45] Yeah.

[00:48:45] That's what happens.

[00:48:46] Right.

[00:48:46] So, I'm in the point right now where I'm go, go, go.

[00:48:48] I'll get really sick again.

[00:48:50] And I'll watch my movies.

[00:48:52] Like, what's-

[00:48:52] This is a cyclical thing.

[00:48:53] By the way, I did rewatch Deadpool and Wolverine.

[00:48:56] I did rewatch that.

[00:48:56] Okay.

[00:48:57] See?

[00:48:58] We're not really counting rewatches though.

[00:48:59] We talk about that kind of as adults.

[00:49:00] Yeah, of course.

[00:49:01] Of course.

[00:49:02] That's fair.

[00:49:02] Did you notice anything more this time?

[00:49:03] Um, yes.

[00:49:07] Good.

[00:49:08] The listeners love when you answer a question.

[00:49:11] I think-

[00:49:11] Close ended question.

[00:49:13] I think-

[00:49:14] Great interview question, Brad.

[00:49:15] I think they're in very good shape.

[00:49:18] Okay.

[00:49:19] Wonderful.

[00:49:20] Uh, trailer time?

[00:49:24] Brrrrrrrrrrrr.

[00:49:25] Oh, that's the trailer bell.

[00:49:28] Yes!

[00:49:28] Oh, man.

[00:49:30] The trailer bell?

[00:49:30] Yeah, the trailer bell went off.

[00:49:32] Oh, my gosh.

[00:49:32] We have a trailer bell now?

[00:49:33] Oof.

[00:49:34] It sneaks up on ya.

[00:49:36] It sneaks up on ya.

[00:49:37] That means it's time for Ben to do the trailer song.

[00:49:39] Um, it's-

[00:49:40] As our regular listeners know that it's the favorite thing about this podcast is Ben doing the trailer

[00:49:45] song.

[00:49:45] Yeah, as soon as we're done, Ben is always like, oh my gosh, guys, I love recording the trailer

[00:49:50] song.

[00:49:50] It just gets me hyped and jazzed and just like, it gets my gooch going.

[00:49:55] And so-

[00:49:55] My gooch going?

[00:49:56] Yeah, you know how you're talking about your gooch.

[00:49:59] Ugh.

[00:50:00] So, Ben, please, give us a wonderful trailer song.

[00:50:05] I do it every week.

[00:50:08] No, I know, but that's the only thing.

[00:50:09] That's what you bring.

[00:50:10] I don't, though, though.

[00:50:11] When did we-

[00:50:12] We never agreed to this.

[00:50:13] I never agreed to this.

[00:50:14] You didn't attend that meeting.

[00:50:16] It was-

[00:50:16] All right, all right, hold on.

[00:50:16] Let's just think about something.

[00:50:17] A silent contract.

[00:50:18] Uh, uh, fucking, uh, trailer hee, trailer ha, trailer ho ho.

[00:50:27] There you go.

[00:50:28] That's all you get.

[00:50:28] No, keep going.

[00:50:28] You gotta go on.

[00:50:29] Yeah, you can't just put trailer into a melody.

[00:50:32] You can't just do the whole-

[00:50:33] That's the song.

[00:50:33] That's the trailer song.

[00:50:34] No, but like, there's no lyrics, though.

[00:50:35] Yeah.

[00:50:35] The full, like, cycle of it, though.

[00:50:37] What are you doing?

[00:50:38] What are you doing?

[00:50:39] At least give us, like, the Rihanna version of the song.

[00:50:41] Oh, yeah.

[00:50:43] Go ahead.

[00:50:45] Let's view da-da-dee da-da-da.

[00:50:48] I'm gonna view some da-da-da trailer da-da.

[00:50:51] I'm gonna view it da-da-da.

[00:50:53] Brad and Nate band da-da-da-da.

[00:50:54] View it.

[00:50:55] Trailer time.

[00:50:56] You know, I don't know if it's worth it anymore.

[00:51:01] That was the trailer song to the tune of I'm Blue.

[00:51:04] Da-ba-dee da-ba-da.

[00:51:05] Oh!

[00:51:07] Did anybody else pick up on that, or was it just me?

[00:51:09] The classic Eiffel 65 song.

[00:51:11] Usually, like, to pick up, like, you need to change the note.

[00:51:15] Yeah, and like, have some, like, uh-

[00:51:17] I'm blue da-da-dee da-da-da-da-da-da-da-da-da-dee da.

[00:51:21] Let's view da-da-da-da.

[00:51:22] See, view.

[00:51:23] Like, it worked, right?

[00:51:24] It works.

[00:51:25] It's just maybe, like, have a little bit of, like, intonation.

[00:51:29] This is what you fucking get.

[00:51:30] Or do the part of the song that-

[00:51:31] This is what you-

[00:51:32] No, you shut the fuck up.

[00:51:33] You pressure me.

[00:51:34] You pressure me.

[00:51:34] Yo, listen up.

[00:51:35] Here's the story about how we watch some trailers for our podcast.

[00:51:41] And all day and all night, all we do is talk about movies,

[00:51:45] because we're friends inside and outside.

[00:51:48] View some trailers through this nice computer window,

[00:51:52] and we view these trailers, because we like to watch movies with him and himself

[00:51:57] and everybody around, because we have to watch-

[00:52:00] It started off great a little off the rails, though.

[00:52:01] Yeah, it did look a little off the rails, but you gotta admit it was way better than Ben's-

[00:52:04] No, I-

[00:52:04] So that means, from now on, you easily can do it.

[00:52:07] So you're gonna do it from now on.

[00:52:08] No, no, but see, it's not fun.

[00:52:10] Like, this is easy for me.

[00:52:12] He's pretty good at it.

[00:52:13] Yeah.

[00:52:13] Yeah, exactly.

[00:52:14] So why do you fucking do it every time?

[00:52:15] I mean, just because I think that it's become a tradition.

[00:52:19] It's just like-

[00:52:19] All right, we watched a couple trailers.

[00:52:21] What did we fucking watch?

[00:52:21] Who gives a shit anymore?

[00:52:23] Let's fucking just end this whole fucking charade.

[00:52:25] Charade?

[00:52:26] The charade of this podcast.

[00:52:28] No, we do audio.

[00:52:29] It's not charade.

[00:52:29] What's the fucking-

[00:52:30] We watched two trailers.

[00:52:32] The first one that we'll talk about is-

[00:52:35] Oh, I forgot to talk about my assigned movie.

[00:52:37] Oh boy.

[00:52:37] Oh my gosh, what are we thinking?

[00:52:38] We didn't even circle back around to it.

[00:52:40] Oh, what are we doing guys?

[00:52:41] So this is the fifth movie you watched.

[00:52:43] And you tried to convince me that I didn't watch movies this week.

[00:52:45] I watched-

[00:52:46] You son of a bitch.

[00:52:48] The movie that Ben assigned to me, which was In the Line of Fire.

[00:52:52] This is an action thriller directed by Wolfgang Peterson starring none other than Clint Eastwood.

[00:52:57] Oh, that's why you remembered.

[00:52:58] It is.

[00:53:00] This-

[00:53:01] Spoiler alert, we watched a trailer-

[00:53:03] This movie-

[00:53:03] Of Clint Eastwood's movie.

[00:53:05] Is so cool.

[00:53:06] It's fun, right?

[00:53:07] It's really good.

[00:53:08] This is like-

[00:53:09] I feel like we say this a lot because the movies we dig into are from previous decades and stuff like that.

[00:53:14] But this is another one of the-

[00:53:16] They don't make them anymore.

[00:53:16] Yeah, this is another one of those sub-genres that like really doesn't get-

[00:53:19] You used to get one of these a year at least.

[00:53:21] This is what I would call a cat and mouse thriller.

[00:53:23] Yes, 100%.

[00:53:25] And it's just that classic-

[00:53:27] Have you ever seen this, Nate?

[00:53:28] I don't think so.

[00:53:29] It's that classic thing where you have a madman who is on a tirade and he's gonna do something crazy that's gonna be bad.

[00:53:36] And you have the one guy who like knows what's going on and like he's trying to stop him and they're going back and forth.

[00:53:42] And so Clint Eastwood works for the Secret Service.

[00:53:45] John Malkovich plays this guy who has threatened to assassinate the president.

[00:53:49] John Malkovich is a good villain.

[00:53:51] I don't know if he is in this.

[00:53:52] He is.

[00:53:52] Oh no, he's-

[00:53:53] Not only is John Malkovich a good villain in this, he got nominated for an Oscar for his performance.

[00:53:57] He got Best Supporting Actor in that.

[00:53:58] Yeah, he's crazy.

[00:53:58] Do you know who he lost the Oscar to?

[00:54:00] What year was this?

[00:54:01] 1993.

[00:54:01] 1993.

[00:54:03] Supporting Actor in 93, Gary Sinise.

[00:54:05] No.

[00:54:06] Cuba Gooding Jr.

[00:54:06] No.

[00:54:07] Cuba Gooding Jr.

[00:54:09] He was like 10.

[00:54:10] That's not true.

[00:54:11] He was in A Few Good Men this same year.

[00:54:14] Yeah.

[00:54:15] Yeah, he played the kid.

[00:54:17] Two years later he was in like Jerry Maguire, right?

[00:54:19] 97, but yeah.

[00:54:20] Yeah, as Rod Tidwell, an 18-year-old superstar.

[00:54:23] He's not 18 in that fucking-

[00:54:25] The whole point was like he was coming back.

[00:54:27] Bridget Jones in that movie was only like 14.

[00:54:31] She kept the whole diary about it.

[00:54:32] Oh my God.

[00:54:34] Anyway, he lost-

[00:54:35] You know what?

[00:54:36] You know what Jerry Maguire kept saying in that movie?

[00:54:38] I'm gonna get into her panties.

[00:54:39] It's Mission Impossible.

[00:54:41] Oh my God.

[00:54:42] You just said she's 14.

[00:54:43] That's why the movie was fucking a bomb.

[00:54:45] It didn't work.

[00:54:46] It was super successful.

[00:54:47] No, I mean, well, it was a previous-

[00:54:50] Weinstein and Epstein were around.

[00:54:52] What?

[00:54:52] It's a different era in Hollywood.

[00:54:54] Where is this going?

[00:54:56] Nowhere.

[00:54:57] Let's keep going.

[00:54:58] This is the second time he's brought up Jeffrey Epstein on this podcast in a row.

[00:55:02] Yeah, I don't want you guys to forget.

[00:55:05] Those who forget their history are doomed to repeat it.

[00:55:07] We will never forget 9-11 and Epstein Island.

[00:55:10] Put it on a t-shirt.

[00:55:14] Put it on a t-shirt.

[00:55:16] Tommy Lee Jones won for The Fugitive.

[00:55:18] Oh, that makes sense.

[00:55:20] Yeah, that guy.

[00:55:20] And that just goes to show you, they used to make movies like this all the time.

[00:55:23] Yeah.

[00:55:23] And they got nominated for Oscars.

[00:55:25] Because Tommy Lee Jones, by the way, in The Fugitive, 17 years old.

[00:55:30] But no, this movie was great.

[00:55:32] Clint Eastwood is solid.

[00:55:33] Part of me wonders if one of the reasons that maybe this movie got so much attention, if it

[00:55:38] was because at the time Clint Eastwood was in his mid-60s and they didn't really have

[00:55:44] a lot of movies like this for, I think, people his age probably.

[00:55:48] So looking now at the action genre landscape, Liam Neeson and these older guys-

[00:55:54] Yeah, it's common now.

[00:55:55] It was not a thing back then.

[00:55:57] I mean, you'd see Charles Bronson in Death Wish 9, but it wasn't the same.

[00:56:01] Yeah.

[00:56:01] And so it made me wonder if this was kind of received in that way of like, oh, it's really

[00:56:05] cool to see someone like Clint Eastwood doing a role like this.

[00:56:07] Having said that, it is kind of weird because they do push an old school romance between

[00:56:12] him and Rene Russo's character who is 20 years younger.

[00:56:16] The other thing is, and this is going to sound like kind of a weird political thing,

[00:56:20] but I'm not making it that way.

[00:56:21] Back then, when the president's life was at stake, it actually meant something.

[00:56:26] And I mean that because these days, politics, you'd have half the country be like, good!

[00:56:30] You know, hopefully he dies.

[00:56:32] But back then, there was a little bit more, it was a modicum of respect for the office

[00:56:37] and things like that.

[00:56:37] So if there was a presidential assassination, it was a big plot point in a movie that meant

[00:56:41] something.

[00:56:42] Do you guys want to hear a fun fact?

[00:56:43] So he was 63 when they made this film.

[00:56:48] Current actors today that are 63, so same age, right?

[00:56:52] George Clooney, Woody Harrelson.

[00:56:56] Woody Harrelson is 63?

[00:56:58] Yeah.

[00:56:59] Eddie Murphy, Ralph Macchio.

[00:57:01] So yeah, so Clint Eastwood just proving the point that Clint Eastwood has looked 80 for

[00:57:07] 50 years, right?

[00:57:08] Yeah, because it's been 30 years since In the Line of Fire came out.

[00:57:11] But yeah, very good movie.

[00:57:12] I liked it a lot.

[00:57:14] What did you think about this scene specifically where he does the ceramic gun?

[00:57:18] I mean, it's close to the end.

[00:57:19] Ceramic gun gets through the metal detector.

[00:57:21] Oh, it's great.

[00:57:22] The keychain with the bullet.

[00:57:23] Yeah.

[00:57:23] It's very clever, right?

[00:57:24] Yeah.

[00:57:25] I was wondering what it was going to be and how I was going to do it.

[00:57:28] And so, yeah, just the setup and lead up to it is very cool.

[00:57:32] Lots of fun breadcrumbs to follow.

[00:57:34] And yeah, it's just a really well done thriller.

[00:57:36] Cool.

[00:57:36] I wish they'd still made movies like this as often as they used to because it's just great.

[00:57:40] Cool.

[00:57:40] And so I was reminded of this because one of the trailers we watched was Juror Number

[00:57:44] 2, which is the latest movie that is being directed by Clint Eastwood.

[00:57:48] It stars Nicholas Holt as a man who has been selected to be a juror in a case where a woman

[00:57:54] was killed.

[00:57:55] And it seems like she was killed by her boyfriend after a drunken confrontation in a bar.

[00:58:01] But as the trailer sets up, at least what it seems to be, the woman's death was actually

[00:58:08] at the hands of Juror Number 2, the Nicholas Holt character who may have hit her in a hit

[00:58:15] and run when he was driving home during the rain that same evening.

[00:58:19] I really like this trailer because it kind of gives you a trap setup, but in like a dramatic

[00:58:25] framework.

[00:58:26] And so I'm really engaged and interested to see how it's going to play out.

[00:58:30] It doesn't feel like your typical Clint Eastwood movie because it feels like a lot of his

[00:58:35] more recent movies have leaned into like social politics.

[00:58:39] I'm old and I'm going to have whores.

[00:58:41] Yeah, you remember that movie where Clint Eastwood.

[00:58:43] The mule.

[00:58:44] Yeah, where he's old and has whores.

[00:58:45] That's exactly what that movie was.

[00:58:46] He does.

[00:58:47] He's old and he has whores in that movie.

[00:58:48] It's true.

[00:58:49] But it's crazy to me though that a 94 year old is still directing movies.

[00:58:53] I know.

[00:58:54] So I'm asking that question.

[00:58:55] At a pretty high level.

[00:58:56] Is he?

[00:58:56] No, he really is.

[00:58:57] Is he's the one directing or?

[00:58:59] No, he's seriously like he's even he's old, but like he's still like is very much like

[00:59:03] knows what he's doing and is.

[00:59:05] Yeah, like he's he's still directing.

[00:59:07] Okay.

[00:59:08] So don't don't count him out.

[00:59:09] No, I was surprised.

[00:59:11] I think this movie looks pretty good just based on this teaser.

[00:59:14] Are you guys interested?

[00:59:15] Yeah, no way.

[00:59:15] I was thinking this doesn't look like Clint Eastwood film.

[00:59:18] Yeah.

[00:59:18] And that made me think they go.

[00:59:20] It's it looks pretty good.

[00:59:22] No, great cast.

[00:59:23] Great premise.

[00:59:23] Nicholas Holt.

[00:59:24] I love him.

[00:59:26] Chris Messina is in this.

[00:59:27] I love Chris Messina.

[00:59:28] J.K.

[00:59:28] Simmons, Tony.

[00:59:29] It is a who's who.

[00:59:30] It's almost like, hey, I want to work for Clint Eastwood before.

[00:59:33] Yeah, it's kind of like the Kiefer Sutherland.

[00:59:36] Then just some really, really good.

[00:59:38] Kiefer Sutherland was just hanging around the parking lot.

[00:59:40] Yeah.

[00:59:41] And they were like, all right.

[00:59:43] So did you guys ever see the movie Kings of Summer?

[00:59:46] No.

[00:59:46] Sounds familiar.

[00:59:48] Who?

[00:59:49] Nick Robinson was in it.

[00:59:51] And it's like there has supporting roles for like Nick Offerman and Alison Brie and Kumail Nanjian

[00:59:58] something like that.

[00:59:58] But it's mostly about these three teenage kids who decide to kind of rebel from their parents

[01:00:03] and like create their own like funny people.

[01:00:06] That's the movie I watched.

[01:00:08] Great.

[01:00:09] Oh, fuck.

[01:00:10] I'm sorry.

[01:00:11] It just came to me.

[01:00:12] Holy shit.

[01:00:13] I've been thinking.

[01:00:14] Talk about complaining about a movie being long.

[01:00:16] I haven't.

[01:00:17] And you watched funny people.

[01:00:17] I haven't.

[01:00:18] Two and a half hour comedy.

[01:00:19] I haven't been paying attention to this podcast the whole night.

[01:00:22] Of course.

[01:00:22] Because I've just been thinking about what's that fucking movie?

[01:00:25] Yeah.

[01:00:25] Funny people.

[01:00:27] Oh, that feels so.

[01:00:28] I feel so good right now.

[01:00:30] I'll bet you do.

[01:00:31] I feel like post orgasm.

[01:00:32] I like funny people.

[01:00:34] Mm hmm.

[01:00:35] So.

[01:00:35] So Kings of Summer, it's a coming of age movie.

[01:00:38] It's about these three kids.

[01:00:38] They kind of build their own like fort out in the woods and they're trying to like just

[01:00:43] live on their own because and because they're like they're just like kind of sick of their

[01:00:45] parents and stuff like that.

[01:00:46] One of the kids is Gabriel Basso and like he's had such a glow up as a young actor.

[01:00:52] Like now he's like a like fit, like good looking like kid.

[01:00:56] And like he used to be kind of like a bit of like a whiny nerd a bit.

[01:01:00] Is he still underage Brad?

[01:01:01] No.

[01:01:02] No, he was in the Night Agent.

[01:01:03] Yes.

[01:01:03] He's the lead in the Night Agent on Netflix.

[01:01:06] I saw him.

[01:01:06] And so he plays the boyfriend in this and you see him and it's like it's so funny thinking

[01:01:10] like from where he came from in Kings of Summer and seeing him now like he's like a totally different person.

[01:01:16] He also played, you'll know this one.

[01:01:17] He played J.D. Vance in Hillbilly Elegy.

[01:01:20] Oh, love that.

[01:01:21] Don't know what that is.

[01:01:22] Is that true?

[01:01:23] Yeah.

[01:01:23] Oh, I didn't know.

[01:01:24] I haven't watched Hillbilly Elegy because I have the vice presidential running mate guy.

[01:01:28] Yeah.

[01:01:29] He was in a thing.

[01:01:30] No, Hillbilly Elegy is about his childhood, quote unquote.

[01:01:33] No, I'm joking.

[01:01:34] I know nothing about that.

[01:01:35] No, that's how he got famous.

[01:01:36] He wrote a book called Hillbilly Elegy.

[01:01:37] You can basically blame the success of Hillbilly Elegy for the fact that J.D. Vance is now the vice president.

[01:01:43] I mean, because it was all about like, yeah.

[01:01:46] Well, a little bit in the future there, buddy.

[01:01:47] It was essentially about Hillbilly Elegy is about growing up in Appalachia and essentially the poverty and all these kind of things that he saw.

[01:01:55] And it was coming out at a time where a lot of racial dynamics were going on.

[01:01:59] And so it was like the converse to, yeah, there's poor white people too.

[01:02:04] Yeah.

[01:02:04] Right?

[01:02:05] And that's J.D. Vance's alleged story.

[01:02:08] Right?

[01:02:09] Yeah.

[01:02:09] Very alleged.

[01:02:10] They made a film, I mean, directed by Ron Howard.

[01:02:14] Uh-huh.

[01:02:15] Called Hillbilly Elegy?

[01:02:16] Yeah.

[01:02:17] Starring Amy Adams, Glenn Close.

[01:02:19] 2019?

[01:02:20] 2020.

[01:02:21] Oh, I can't wait to see this.

[01:02:22] Oh, boy.

[01:02:25] Anyway, so yeah, I'm very much interested in J.D. No. 2.

[01:02:28] I know.

[01:02:28] Me too, actually.

[01:02:29] I really am.

[01:02:29] It looks very good.

[01:02:30] And honestly, it's not, I could give a shit about Clint Eastwood these days, I don't care.

[01:02:34] But the fact that it's got a who's who of a cast and the premise is decently original.

[01:02:39] Yeah.

[01:02:40] I don't think I've ever seen that kind of thing happen.

[01:02:42] Yeah.

[01:02:42] Yeah.

[01:02:42] And the trailer does a great job of showing that really, because it's a slow burn trailer.

[01:02:48] And it's, I think the best part of the trailer is you are taking along with James Morrison's character's realization.

[01:02:56] Who?

[01:02:56] James Morrison.

[01:02:57] Isn't that who?

[01:02:57] Oh, Nicholas Holt.

[01:02:58] Sorry.

[01:02:59] Oh, my God.

[01:02:59] They're the same person.

[01:03:01] Nicholas Holt's realization that it's happening, right?

[01:03:04] And so it clicks in his head and it clicks for you as the viewer.

[01:03:07] Yeah.

[01:03:08] It's a really good, it's a well cut trailer.

[01:03:09] Tony Collette and Nicholas Holt are reuniting, what was the last film they did together?

[01:03:13] Star Wars, The Phantom Menace.

[01:03:16] No, I'm just kidding.

[01:03:16] It's about a boy.

[01:03:17] I was like, what?

[01:03:18] About a boy in 2002.

[01:03:18] I don't know enough about Star Wars to see that this is a joke about.

[01:03:20] 22 years later.

[01:03:21] Didn't we assign that to Ben at one point?

[01:03:24] Who does James Morrison play in this film?

[01:03:28] Cyclops.

[01:03:28] I knew it.

[01:03:29] Yeah.

[01:03:30] The X-Men come in because they find out Nicholas Holt's Beast.

[01:03:34] I did see that comic, Juror No. 2.

[01:03:37] Yeah, that's right.

[01:03:37] It's Jim Lee and Chris Claremont.

[01:03:39] It was one of the big ones.

[01:03:40] They had a really nice anniversary cover they did for it where they had Beast sitting

[01:03:45] in the...

[01:03:46] What's the...

[01:03:46] Judge's chambers?

[01:03:47] No, not the judge's chambers in the...

[01:03:49] Jury box?

[01:03:49] No, what's the chair next to the judge where the...

[01:03:51] The electric chair?

[01:03:52] No, it's the...

[01:03:52] The witness box?

[01:03:53] The witness box.

[01:03:54] There it is.

[01:03:55] Yeah, sure.

[01:03:55] Witness stand.

[01:03:56] Witness stand.

[01:03:57] There's a word.

[01:03:57] That's what I was looking for.

[01:03:58] It was called X-Men Last Witness Stand.

[01:04:00] Yeah, and Beast is just sitting...

[01:04:01] The Last Witness Stand.

[01:04:02] Yeah, Beast is sitting there leaning into the microphone.

[01:04:04] Yeah, doing Beast stuff.

[01:04:05] Uh-huh.

[01:04:06] Like talking.

[01:04:06] But it's upside down because Beast hangs up there.

[01:04:07] Of course.

[01:04:08] Yeah, what's he hanging off of?

[01:04:09] Just like a lamppost.

[01:04:10] Pear tree.

[01:04:14] By the way, I was just like, what are we doing?

[01:04:17] Nate's over here on Facebook.

[01:04:19] He's just scrolling.

[01:04:20] Oh, he's trying to find the comic we're talking about.

[01:04:23] So the other trailer we watched was another teaser trailer, a short trailer for a movie

[01:04:27] called Companion.

[01:04:28] This is from the people who made Barbarian, which is a fantastic, incredible horror movie.

[01:04:33] If you have not seen Barbarian, don't even watch the trailer.

[01:04:34] Yeah.

[01:04:34] Just go watch it.

[01:04:34] Exactly.

[01:04:35] Just like...

[01:04:36] Oddity.

[01:04:37] Malignant.

[01:04:38] Sure.

[01:04:38] No, meaning don't watch the trailer.

[01:04:41] Right.

[01:04:41] Just go, don't watch the film.

[01:04:42] I agree.

[01:04:43] Yeah, so this teaser trailer is pretty fun.

[01:04:48] Holy shit.

[01:04:48] It sets up a really interesting thriller.

[01:04:50] It's a thriller that seems pretty diabolical.

[01:04:52] There's a scene in this...

[01:04:54] I like it because I don't know where this is going.

[01:04:56] There's nothing about this that's like, oh, I saw the whole movie.

[01:05:00] Get the fuck out of here.

[01:05:00] I don't know.

[01:05:01] There's a scene where a woman's arm is on fire and I'm literally terrified by that

[01:05:06] because it's so like...

[01:05:07] It's like almost locked in syndrome where she's crying and her hand's on fire but she

[01:05:11] can't move it.

[01:05:11] What is going on in this film?

[01:05:13] Yeah, so I'm...

[01:05:15] I'm very excited to see this.

[01:05:17] I'm literally grasping my hands right now.

[01:05:19] It's a really aggressive trailer.

[01:05:21] Jack Quaid plays the lead and yes, he is Dennis Quaid's son.

[01:05:24] He's from the boys.

[01:05:24] Neppo baby.

[01:05:25] He's from the boys.

[01:05:26] And then Sophie Thatcher is the woman in this trailer.

[01:05:31] She's from Yellow Jackets and she's been in some other horror stuff recently too.

[01:05:34] She's fantastic.

[01:05:35] Dennis Quaid does call his testicles the boys.

[01:05:38] So it is from the boys.

[01:05:40] So my guess because I haven't looked up what the...

[01:05:44] If the actual plot is out there for this movie or anything like that.

[01:05:47] Part of me thinks maybe this is a movie where you have two people who are both really

[01:05:53] messed up and they keep elevating each other's what they're doing to each other in fucked

[01:06:08] and that's a guess for sure.

[01:06:09] No, 100%.

[01:06:09] Yeah, I have no idea.

[01:06:11] And I honestly don't want to look up what it's about.

[01:06:12] If I can avoid and I can just go into it like I did with Barbarian and just enjoy it then

[01:06:16] that would be great.

[01:06:17] But either way, the teaser...

[01:06:19] I love the misdirect setup too from the people who made the notebook cordially invite you.

[01:06:24] But then it's also not like Deadpool.

[01:06:26] Right.

[01:06:26] It's like, oh, this is silly.

[01:06:28] It's just it takes a hard right.

[01:06:30] Yeah.

[01:06:30] And you're like, okay.

[01:06:31] Nate, what did you think?

[01:06:32] Yeah, Nate, I'm really interested here.

[01:06:34] No, this looks good.

[01:06:35] I...

[01:06:35] You won't see this film.

[01:06:36] I will see this film.

[01:06:38] He's fine with stuff like this.

[01:06:39] It's not scary.

[01:06:40] No, that's...

[01:06:40] No.

[01:06:41] What?!

[01:06:41] It's not scary in the way that Nate gets scared of things.

[01:06:44] Yeah, I don't like...

[01:06:44] Do you know your friend?

[01:06:46] I don't like...

[01:06:46] Yeah, but he just doesn't like any sort of gory blood and guts anymore.

[01:06:49] He likes thrillers.

[01:06:50] I do like thrillers.

[01:06:51] And there are many blood and guts films I like.

[01:06:54] You've changed.

[01:06:55] I just don't like a lot of the supernatural horror ones or the ones that are just so...

[01:07:02] They're gore for the sake.

[01:07:04] They're gore porn.

[01:07:05] Hostile or saw.

[01:07:06] Yeah, gore porn.

[01:07:06] No, anything...

[01:07:07] Gorn.

[01:07:10] Oh!

[01:07:11] I've never heard that term and it makes my stomach hurt a little bit.

[01:07:15] Gorn?

[01:07:15] Hey, do you want some gorn?

[01:07:17] It's Eli Roth jacking off.

[01:07:20] Ew!

[01:07:22] No, I was just gonna say anything about Eli Roth.

[01:07:24] I'm like, yeah, I'm gonna pass.

[01:07:25] Any hostile, any fucking the descent.

[01:07:27] Like, I don't need any of that shit.

[01:07:29] Gorn are also aliens from Star Trek.

[01:07:31] I mean, that...

[01:07:34] I don't know what to do right now.

[01:07:36] I'm very confused.

[01:07:39] Because that's such a safe easy show and I'm like, GORPORN!

[01:07:42] GORPORN!

[01:07:43] GORPORN!

[01:07:44] Not gonna be able to shake it now.

[01:07:45] I can't.

[01:07:46] It's the name of the episode, probably.

[01:07:47] GORPORN!

[01:07:49] Uh, Nate, you said you had a game for us.

[01:07:51] I do, if we want to play one.

[01:07:53] GORPORN on the cob.

[01:07:54] Eww!

[01:07:55] GORPORN!

[01:07:55] A game focused on aliens.

[01:07:57] I'm just imagining corn covered in blood and lube.

[01:08:00] Yes, exactly!

[01:08:00] And it's dripping and not in the right way.

[01:08:03] It just came out of something.

[01:08:06] All right, so this is a couple different rounds to it.

[01:08:09] This is about alien films and I'm gonna give you guys a question.

[01:08:13] I'm gonna go back and forth, all right?

[01:08:14] We're gonna have a little fun this way.

[01:08:16] I'm gonna start with Ben here, all right?

[01:08:18] I love it, let's do it!

[01:08:19] In which movie do aliens come to Earth and communicate using large, logogram-like symbols?

[01:08:30] Uh...

[01:08:32] And Brad, you can't steal this if he doesn't get it.

[01:08:35] Mm-hmm.

[01:08:36] Hmm.

[01:08:38] Brad, do you know the answer?

[01:08:39] 100%.

[01:08:40] I know you do.

[01:08:41] Close Encounters?

[01:08:42] No, I know you know this because you gave me this.

[01:08:44] The movie is Arrival.

[01:08:45] Correct.

[01:08:46] Oh, okay.

[01:08:47] Uh, what was the question again?

[01:08:50] No, no, real quick because there's one word I didn't understand what it was.

[01:08:53] Logogram?

[01:08:54] Yeah, I don't know what that is.

[01:08:55] Logogram is a sentence that, uh...

[01:08:59] Shapes.

[01:09:01] Uh, no, it, um...

[01:09:03] What's the best way to describe it?

[01:09:04] It begins on two different sides and then arrives in the middle.

[01:09:08] Correct.

[01:09:09] All right.

[01:09:10] But it's English?

[01:09:11] No, not necessarily.

[01:09:12] No, it doesn't have to be.

[01:09:13] Oftentimes not.

[01:09:14] All right, Brad.

[01:09:15] I'm no closer to knowing what it is.

[01:09:20] Like that explanation makes actually, it's, I'm further away of knowing, like now I'm more

[01:09:26] confused.

[01:09:28] Cause like I'm trying to remember Arrival and it was just, it was just like silly squiggles.

[01:09:31] Well not, no, cause like they were...

[01:09:33] It is.

[01:09:33] Yeah, but I mean to us they're, but they are, it's a circle, but it's a circle that represents

[01:09:36] like an entire complex sentence.

[01:09:38] But it's, it's like words as symbols.

[01:09:41] Think of, uh, like...

[01:09:42] Like a pictogram.

[01:09:43] Yeah.

[01:09:43] Kind of like that.

[01:09:44] Yep.

[01:09:45] A logo.

[01:09:45] Just say pictogram then, why, why, why?

[01:09:47] Because it's a little more complicated.

[01:09:48] It's not as if you were like using it.

[01:09:49] But it's like that.

[01:09:49] Yeah.

[01:09:51] I'm a little closer to knowing what it is now, but I'm gonna have to watch Arrival

[01:09:54] again.

[01:09:54] All right.

[01:09:55] I mean you should just do that anyway.

[01:09:56] It's a great movie.

[01:09:56] Brad, which film features a young boy named Elliot who frenzies straight at the alien

[01:10:03] and has some return home?

[01:10:04] I get Arrival and he gets E.T. right off the bat?

[01:10:06] Fuck you, man.

[01:10:08] No, no, no, no.

[01:10:08] Hey, Brad.

[01:10:08] Go ahead.

[01:10:09] I believe it's E.T. the extraterrestrial.

[01:10:12] And his adventures on Earth.

[01:10:13] Boom!

[01:10:15] Correct.

[01:10:17] That's the full title.

[01:10:18] That's two points.

[01:10:19] You know that from Doug Loves movies by the way.

[01:10:20] Two points for Brad.

[01:10:21] Oh my God.

[01:10:22] Zero points for Ben.

[01:10:23] Ben.

[01:10:24] Yeah.

[01:10:26] Which, which cinematographer day played as an extra on this island Earth?

[01:10:33] Hey, Ben.

[01:10:35] Name the franchise that features a Xenomorph as the main alien antagonist.

[01:10:41] Aliens.

[01:10:44] The franchise?

[01:10:45] Alien.

[01:10:45] Aliens.

[01:10:46] Whatever.

[01:10:47] Yeah, whatever.

[01:10:47] The alien franchise, sure.

[01:10:49] Two points to one.

[01:10:50] Brad.

[01:10:52] Match the character or alien to the movie.

[01:10:56] I'll give you the name of the alien.

[01:10:58] I do want to clarify to help Ben understand better what a logogram is.

[01:11:02] Because I-

[01:11:03] Is it logogram or graph?

[01:11:04] Gram.

[01:11:05] I expanded it to represent like how the arrival language works, but it's merely just like

[01:11:11] when a symbol represents-

[01:11:13] It's like hieroglyphics kind of.

[01:11:14] Kind of.

[01:11:15] Yep.

[01:11:15] A specific symbol represents like an entire thought.

[01:11:21] Okay.

[01:11:23] All right.

[01:11:24] But like, yeah, hieroglyphics would be a good example of that.

[01:11:27] Because it's not, they're not, each glyph isn't a word.

[01:11:31] It's a representation of an idea.

[01:11:33] And if you put like six of them together, it's a whole thought.

[01:11:36] It could be an entire word though.

[01:11:38] Like it could just be-

[01:12:01] Well, sure.

[01:12:01] Star Trek, the Rathacon.

[01:12:03] Brad.

[01:12:04] Paul.

[01:12:08] It's from Paul.

[01:12:09] Man, I really hope it's like, it's something else.

[01:12:15] Ben.

[01:12:16] That was E.T.'s brother, Paul.

[01:12:18] Ben.

[01:12:19] Yeah.

[01:12:20] Klaatu.

[01:12:22] Oh, that's the day the earth stood still.

[01:12:26] Oh, correct.

[01:12:28] Good job.

[01:12:28] Thank you.

[01:12:30] Brad.

[01:12:31] The predator.

[01:12:36] It's from Predator.

[01:12:38] Correct.

[01:12:39] Ben, what's the species name of Predator?

[01:12:42] It's really hard for me to pronounce because I've never actually heard it said.

[01:12:46] Yeah.

[01:12:46] But it's like Yahuda.

[01:12:49] It's Yahuda.

[01:12:50] Yeah, there's a J in it.

[01:12:51] But yeah.

[01:12:52] And I don't know if that J is silent.

[01:12:53] That's why I'm saying yahoo instead of yah-

[01:12:54] I think it's Yatuja.

[01:12:56] Yatuja, yeah.

[01:12:56] Yeah.

[01:12:57] Yeah, yeah.

[01:12:57] It's a whole like almost samurai culture.

[01:13:01] I will read-

[01:13:02] Don't fucking-

[01:13:02] I know.

[01:13:03] I fucking know.

[01:13:04] I'll spell it for you motherfucker.

[01:13:05] No.

[01:13:05] I will read a famous line related to aliens and you must identify the movie.

[01:13:09] Mm-hmm.

[01:13:10] All right?

[01:13:11] I love that Nate's the one gonna tell us what the famous line is.

[01:13:16] Brad.

[01:13:18] In space, no one can hear you scream.

[01:13:21] It's the tagline for alien.

[01:13:24] Correct.

[01:13:25] Ben.

[01:13:27] I want to believe.

[01:13:29] Wait, it's in the alien franchise?

[01:13:31] Like alien aliens-

[01:13:32] No, no, no.

[01:13:32] Just a movie about aliens.

[01:13:33] Oh, okay.

[01:13:34] So I want to believe.

[01:13:35] Isn't that X-Files?

[01:13:36] Yeah.

[01:13:37] Correct.

[01:13:38] That's not a movie though.

[01:13:39] Yeah, it is.

[01:13:39] There's literally two X-Files movies.

[01:13:41] Oh, I didn't know that.

[01:13:42] All right.

[01:13:43] Uh, Brad.

[01:13:45] I thought this was his way of shoehorning TV into this episode.

[01:13:48] Nope.

[01:13:48] Which-

[01:13:49] And if it was good on him.

[01:13:51] Which director is known for helming the sci-fi classic, Close Encounters of the Third Kind?

[01:13:58] Steven Spielberg.

[01:14:00] Come on.

[01:14:01] Ben.

[01:14:02] Who's the main star of Predator?

[01:14:04] That's like this-

[01:14:05] You're giving-

[01:14:05] You're fan feeding him this shit.

[01:14:07] No wonder he wins all the time.

[01:14:07] You're doing really good by the way.

[01:14:08] Thank you, Nate.

[01:14:09] I appreciate it.

[01:14:10] Klaatu.

[01:14:13] Fucking Klaatu.

[01:14:14] And he's like, which one does the alien have a glowing finger in who rides a bike?

[01:14:17] I gave you Paul.

[01:14:19] Yeah!

[01:14:20] You piece of shit.

[01:14:22] P-Fa, you didn't know that.

[01:14:23] All right.

[01:14:23] Fuck you.

[01:14:24] Ben.

[01:14:25] Yeah.

[01:14:26] Which movie features an alien invasion foiled by a common earth element, water?

[01:14:34] Uh, that would be-

[01:14:36] Fuck, that's a-

[01:14:39] That's actually an easy one that I'm blanking on.

[01:14:41] See, and you're getting mad.

[01:14:42] No, no, this is a very easy one that I'm blanking on.

[01:14:45] Just-

[01:14:45] Do you know, Brad?

[01:14:47] Yeah, of course.

[01:14:47] Yeah, yeah, it's an easy one.

[01:14:48] I know it is.

[01:14:48] Well, I'm gonna give it to Brad.

[01:14:49] It doesn't sound like it.

[01:14:50] Signs.

[01:14:51] No.

[01:14:51] Well, technically, yes, but we're talking about War of the Worlds.

[01:14:56] I was actually talking about Signs, but yeah.

[01:14:59] Really?

[01:15:00] Yep.

[01:15:01] I mean, it's both.

[01:15:02] Fuck you!

[01:15:02] It is both.

[01:15:03] I would've accepted both.

[01:15:04] Hey-

[01:15:05] That's pretty good though.

[01:15:06] I know my buddy Nate.

[01:15:08] That's all I'm saying.

[01:15:08] Bad.

[01:15:09] Bad.

[01:15:10] Bad.

[01:15:10] Bad.

[01:15:11] Bad.

[01:15:12] Bad.

[01:15:13] Bad.

[01:15:18] инг-

[01:15:19] Bkt.

[01:15:22] In Independence Day, the aliens use a virus to disable Earth's defenses.

[01:15:29] True?

[01:15:30] It's the most unbelievable part of the movie.

[01:15:33] Wait, what?

[01:15:34] My不管 людям uses an alien ship.

[01:15:36] True, men are tends to disable the alien ship.

[01:15:38] And they use a Lincoln ship is also educational, so, Ich-

[01:15:39] That's all I said true like that because you don't know what I mean.

[01:15:42] You have to shout it.

[01:15:48] That's what he was saying.

[01:15:49] I didn't realize he switched things.

[01:15:52] I did try to get bad on that one.

[01:15:53] Funny story about Men in Black that I learned.

[01:15:58] This movie starring Tommy Lee Jones and Will Smith is called Men in.

[01:16:02] Brad, this is for you.

[01:16:03] Men in.

[01:16:04] Asses.

[01:16:05] Oh, no.

[01:16:06] It looks like it's Ben Stern.

[01:16:07] Men in Purple?

[01:16:08] Oh, I'm so stupid.

[01:16:10] So from Barry Sonnenfeld, who directed all three Men in Black movies and the two live action

[01:16:17] Addams Family movies and Get Shorty, he has a book that came out October 1st called

[01:16:21] Best Possible Place, Worst Possible Time.

[01:16:23] And it's just a collection of great anecdotes from him working in Hollywood over the years.

[01:16:27] From when he was a cinematographer with the Coen brothers on Blood Simple and Misery to

[01:16:33] working with Rob Reiner on, sorry, not Misery, Raising Arizona and then working with Rob Reiner

[01:16:38] on Misery.

[01:16:39] There you go.

[01:16:40] And then he has all these stories just about behind the scenes and hilarious.

[01:16:44] Like he clearly does not give a fuck.

[01:16:45] I was going to say, the cool thing about this is there have been plenty of memoirs written.

[01:16:49] Oh, yeah.

[01:16:49] There have been plenty of anecdotal stories written.

[01:16:52] This guy is like, you don't want to be in a trailer with a Will Smith fart.

[01:16:56] Yeah.

[01:16:56] Like that's crazy that he's saying that shit.

[01:16:58] It's hilarious.

[01:16:59] So one of my favorite ones is on the set of Men in Black, there was a stunt that Will

[01:17:04] Smith decided he wanted to do.

[01:17:07] And it was going to require him to get pulled out by a harness or something like that.

[01:17:11] And so he was cool with doing it.

[01:17:13] And like, you know, Barry Sanefels was like, all right, yeah, great.

[01:17:16] Just before they were getting ready to do the sequence, Barry Sanefels in his trailer,

[01:17:21] Will Smith comes in with one of his assistants who's also like his bodyguard, big, big dude.

[01:17:27] And Will Smith tells, he's like, all right, Barry.

[01:17:29] He's like, I just wanted you to know I'm going to invoke the Michael Bay encyclical when we do this.

[01:17:34] And Barry's like, what's that now?

[01:17:37] He's like, well, the Michael Bay encyclical is something that I created because when we were making bad boys,

[01:17:41] a lot of people were getting hurt when we were doing stunts and stuff like that because people were moving fast

[01:17:45] and they weren't really taking the care they should.

[01:17:47] He's like, since I'm going to be doing this stunt, I'm going to invoke the Michael Bay encyclical,

[01:17:51] which basically what happens is if I'm doing a stunt, if I get hurt, whatever happens to me,

[01:17:57] my boy here is going to inflict that injury on you.

[01:18:00] I love this, by the way, because it does so many things.

[01:18:03] It's like, even if he's joking, it's just Barry's not going to be like, let's take an extra beat.

[01:18:10] Let's make sure that, hey, those security protocols are really in place, right?

[01:18:13] No, it's very smart.

[01:18:15] That's a great story.

[01:18:15] It's such a good story.

[01:18:16] But yeah, he has so many cool stories.

[01:18:17] He has stories about Gene Hackman being an asshole, about John Travolta being a whiny baby.

[01:18:23] All these things, I believe.

[01:18:24] Yeah, just so many great stories.

[01:18:25] Those two right there, I'm like, yep, that tracks.

[01:18:27] Yeah, it's a great book.

[01:18:28] If you like stories about Hollywood and stuff like that, I can't recommend reading it.

[01:18:31] It's an easy, breezy read to it.

[01:18:33] It literally took me like a day to get through in total.

[01:18:35] So it took me about a day to listen to?

[01:18:37] Oh, for sure, for sure.

[01:18:38] All right, final round.

[01:18:39] This is a lightning round, so the first person to guess, right?

[01:18:42] You don't have to wait.

[01:18:43] I'm going to give you the question.

[01:18:44] The first person to get it wins.

[01:18:46] All right.

[01:18:47] All right.

[01:18:48] Which alien movie features a ship named Nostromo?

[01:18:52] Alien.

[01:18:52] Do we get to make a buzzer sign?

[01:18:54] Name the 1999 comedy about the actors abducted by aliens who believe their TV show is real.

[01:18:59] So no buzzer?

[01:19:00] Which movies aliens are allergic to sound?

[01:19:06] That's, um...

[01:19:07] Wait, first person to guess.

[01:19:08] Allergic to sound?

[01:19:09] Yeah.

[01:19:10] Oh.

[01:19:13] I don't know.

[01:19:13] Smart attacks.

[01:19:14] Nope.

[01:19:15] No, it's close.

[01:19:16] A Quiet Place.

[01:19:17] Are they?

[01:19:17] They're not allergic to sound.

[01:19:19] Yeah, they're allergic, right?

[01:19:20] No, they're allergic to a very specific frequency, but sound is just how they...

[01:19:24] But isn't there a part of sound that they're allergic to?

[01:19:26] I literally just said, there's a certain frequency that messes with their extremely sensitive hearing.

[01:19:33] I thought there was some kind of like...

[01:19:34] This is not noise in general.

[01:19:36] Yeah, they're not allergic to...

[01:19:37] Like if they hear a sound, they're like...

[01:19:41] It's actually water.

[01:19:44] It's true, I guess.

[01:19:45] I should have said allergic to a type of frequency of sound.

[01:19:49] Sure.

[01:19:49] Right?

[01:19:50] That would work.

[01:19:50] Yeah.

[01:19:50] Still a great game, buddy.

[01:19:51] All right.

[01:19:52] I'm going to tally up all the points real quick.

[01:19:54] Do-do-do-do-do-do-do-do-do-do-do.

[01:19:56] All right.

[01:19:56] Hey, Brad, you won.

[01:19:57] Oh, that's a surprise.

[01:19:58] Why are you tilting it in his favor?

[01:20:00] I just don't understand this.

[01:20:02] E.T. and Klaatu.

[01:20:03] Like, just...

[01:20:04] That's what I'm...

[01:20:06] Give him E.T.

[01:20:06] And you say something with...

[01:20:07] Steve Spielberg.

[01:20:09] Yeah.

[01:20:09] And so you say he's a sycophant for Spielberg.

[01:20:14] And you're like, what director?

[01:20:18] What director?

[01:20:18] Da-da-da-da.

[01:20:20] Close Encounters.

[01:20:21] How would he not know that?

[01:20:24] He likes him.

[01:20:25] Oh, my God.

[01:20:26] I gave you an easy one, too.

[01:20:29] No, that would have been like...

[01:20:30] You'd be like, who starred in Predator?

[01:20:34] You didn't.

[01:20:34] You gave Brad that one, too.

[01:20:36] To be fair, mine was harder.

[01:20:37] Yeah.

[01:20:38] Why?

[01:20:38] Because I had to name the alien from The Predator.

[01:20:41] Yep.

[01:20:42] He said, what movie alien is The Predator?

[01:20:48] That's what he said.

[01:20:49] And you said Predator.

[01:20:51] Yeah.

[01:20:52] Okay.

[01:20:52] Well, this is a good job with that one.

[01:20:55] Thank you.

[01:20:55] Hey, I'm really proud of you for that.

[01:20:56] Thanks.

[01:20:56] I can't wait to write a game next time.

[01:20:58] I know your dad died, but I'll be your dad.

[01:21:00] I appreciate it.

[01:21:01] I'll write a game so good next time.

[01:21:02] Well, we'll see if you have the time.

[01:21:04] I'll make time for this.

[01:21:06] I'll blow off my movies.

[01:21:07] I don't know where I write a game.

[01:21:08] Yeah, what else is new?

[01:21:11] I don't like it.

[01:21:12] Are you coughing or crying?

[01:21:13] I don't like this anymore.

[01:21:15] It was fun.

[01:21:16] Well, guys.

[01:21:17] Guys.

[01:21:17] That's what happens when you get a family.

[01:21:19] It's time.

[01:21:19] I'm going to have a...

[01:21:23] Hey, listen.

[01:21:23] It's going to be a podcast.

[01:21:25] Wouldn't it be fun to do like a Douglas Movies Takeoff podcast where we just had comedians

[01:21:29] come out and do it ourselves, Brad?

[01:21:30] It'll just be me and you.

[01:21:31] It'll be so fun.

[01:21:32] We'll have so many episodes and we'll play a lot of games.

[01:21:35] It'll be very games heavy.

[01:21:36] We'll talk a little bit about the last movie, but that's not really the point of the show.

[01:21:39] The point is to play the games and have so much fun.

[01:21:42] And now it's years later and the games is the worst part of this.

[01:21:46] I don't like it anymore.

[01:21:48] Every day is a bad day.

[01:21:51] The games suck.

[01:21:52] Brad liked that game.

[01:21:53] Did you like that game?

[01:21:54] I enjoyed it.

[01:21:55] The game sucks.

[01:21:57] You've won a game.

[01:21:58] You're inheriting a lot of traits from these kids.

[01:22:03] It's a crybaby, you know?

[01:22:05] You want a banana?

[01:22:06] Mm.

[01:22:06] You want a Go-Gurt?

[01:22:07] Mm.

[01:22:07] You want to put a banana in your Go-Gurt?

[01:22:09] Mm-mm.

[01:22:14] Well, guys, it's been another educational and fun-filled episode of Go Flicks.

[01:22:19] I did learn like three things.

[01:22:20] Ben did learn a lot this episode.

[01:22:22] It was pretty great.

[01:22:22] Yeah, it's something he needs to know.

[01:22:24] I learned what a logophone is and what respiratory illnesses.

[01:22:28] No, that was the other-

[01:22:28] That was Saturday Night Live.

[01:22:30] That was Saturday Night Live podcast where I learned what a respiratory player is.

[01:22:32] Oh, boy.

[01:22:32] Go listen to 10 to 1 if you want to hear that.

[01:22:35] Listen, guys, we did it.

[01:22:36] This is a great episode and I'm very proud of my knowledge.

[01:22:39] Yeah.

[01:22:40] This was brought to you by Lay's Cheesy Garlic Bread Potato Chips.

[01:22:43] Yeah, thanks again for sponsoring Lay's that check.

[01:22:45] A legit sponsor.

[01:22:46] Really?

[01:22:46] Not anything that we make up.

[01:22:47] Yeah, they sent a real check.

[01:22:50] What?

[01:22:50] Yeah, for viewers like you.

[01:22:53] For viewers like you.

[01:22:54] We'll be back again in another week.

[01:22:57] Hopefully, we'll have watched some more movies.

[01:22:59] Some people are more dedicated to that than others.

[01:23:01] Maybe don't give me-

[01:23:02] Literally what you do for your job.

[01:23:03] Maybe don't give me the movie at 1130 on a Thursday.

[01:23:06] Maybe give it to me.

[01:23:08] We're recording a Sunday.

[01:23:09] I gave him early.

[01:23:09] We're recording a Sunday.

[01:23:11] Give it to me tonight.

[01:23:12] First of all, he gave you your movie very quickly.

[01:23:14] And I watched it.

[01:23:15] I know.

[01:23:16] So?

[01:23:17] That'd be a fucking lesson, idiot.

[01:23:19] Drop it on me on Saturday morning.

[01:23:21] Nah, go ahead and watch this movie.

[01:23:22] It wasn't Saturday morning.

[01:23:23] It was Thursday night.

[01:23:23] That's when you asked for it.

[01:23:24] Mm-hmm.

[01:23:25] Because it hadn't-

[01:23:25] You know what?

[01:23:26] It doesn't matter.

[01:23:26] This-

[01:23:27] I'm not happy right now.

[01:23:29] I just-

[01:23:29] I don't-

[01:23:30] Lately, I just-

[01:23:31] A lot of times, I just don't like the way the show goes.

[01:23:34] You know?

[01:23:34] And for a show to be my show-

[01:23:36] Ben, let me ask you a question.

[01:23:37] I just don't like it.

[01:23:38] Look at that.

[01:23:39] Ben-

[01:23:39] Everything happens, and it goes the way I don't want it to go.

[01:23:43] Ben, is it the show, or is it your life?

[01:23:44] Kind of!

[01:23:46] Trailer time!

[01:23:47] Fucking you do the song, Ben, and we'll make fun of you.

[01:23:50] And then it's like, the handcrafted game, so Brad wins!

[01:23:53] And then I have to come up with like-

[01:23:55] Oh, Dracula's not no fraud, dude.

[01:23:57] Oh, who gives a fuck?

[01:24:00] Bye, everybody.

[01:24:01] Bye.

[01:24:10] Bye.

[01:24:10] Nah, cheat's sake, eh?

[01:24:12] Bye.

[01:24:12] Bye.

[01:24:12] Bye.

[01:24:12] Bye.